VECTORS

We will use all the infrastructure that enables this network to generate the necessary links to generate a social sculpture (Beuys, Zizek, Bourriaud, Russell). We have the vision and responsibility from the relational practices (political conceptual art) to increase the strength of the links through the network platforms, raising the symbolic capitals of humanistic values ​​in a society increasingly defined by the commodity capitals derived from the post-industrial abstract systems. The vector we have been following since 2009 (ONE DECADE) is a line of work and research that we call ACTIVE SOCIOPLASTICS. A form of work that includes not only the selection and curating of artists and their work (texts and images), but the generation of visible relationships in network exhibitions, where the work of artists works together, in a way hybrid between museum exhibitions (high legitimacy), exhibitions in art galleries (art-merchandise; medium legitimacy) and mass dissemination through social networks (emerging forms) where the value of the work is measured by its direct quality, and by the massive rediffusion of users without installation costs in the room. LAPIEZA's exhibitions have been consumed and disseminated by more than one million people online since 2009. The framework and the work merge into a hybrid framework, which explores the current quality of advertising forms not only of museums and institutions , but the artistic practices in each focus of exploration. Methodology of interaction. The artists who build LAPIEZA have disparate origins and legitimations, so their interrelation activates mechanisms of estrangement and desire. There are emerging artists (unknown, or peripheral to orthodox legitimation spaces) and artists with a career, who function as catalysts. They fit well in what has been called "cultural ecologies." These are projects that articulate the production of images, texts or sounds, with the exploration of common life forms, in principle renouncing the production of conventional artistic objects, to initiate or intensify open processes of conversation and interaction that involve the artists through the new and transforming link generated. The importance of synergy and publicity in the creative process.