LLLL UNSTABLE ART AGENCY AT
VERNISSAGE AT RAKE BONUS SPACE
THE CONSTANT DECAY ART PROCESS
SATURDAY
VERNISSAGE AT RAKE BONUS SPACE
THE CONSTANT DECAY ART PROCESS
SATURDAY
Interesting process for the Trondheim Art Scene. The takeover of a building that might be demolished soon. Most of the art agents were there. Some wine and absenta to drink. Trygve Ohren and Charlotte Rostad have curated around 20 artists to dynamize the process. A big sausage was hanged out at the facade (Claes Oldenburg revisited) one of the artists painted a white room with blue dots by throwing a ball during hours to the walls, as public performance. The glass dots have an abstract plastic look, glass as canvas. In the house some rooms were programmed with video-installations (in several rooms, multichannel conversations, a parallel talked drama on tv sets). A memory writing wall where visitors throw comments, a junk dj room, and a food-restaurant piece ( Matta Clark revisited), where two of the artists offers dinners for free this month with the leftover food from local supermarkets. The couple live in the house and have a web page where you can register for the 6-9 pm meal. Their apartment has been furnished with third hand stuff by the artists Ylva Cecilie Vestrheim + Elisabeth Søiland (Heim&Land) who recently came back from Bergen where they presented the new step of their book binding piece. We will come around this week again. Another nice piece was a falling sand little hill. Quick talks in crowded corridors with Fredrik Shetelig Dean of the Architecture School at the NTNU, that spoke about the future boulevard that will come when the building is demolished. Hilde Bøkestad the new headurbanist of Trondheim City Council, that we met, has new challenges for the outcomes of the City of Trondheim. We also met Gro Rødne, who has been bussy with the latest eddition of THEWOODWAY, now to be seen in town. We filmed the 2008 edtion, launched by Professor Fedrik Lund with international guest critic Tony Fretton Architects. We are now very curious about this month process, and spoke with Ann-Cathrin Hertling (Wild at Art) and Pontus Kyander (Director of the Trondheim Museum of Modern Art) that will be on alert during the process and develop a text on the narratives that might happen.Anto Lloveras Lapieza Relational Art Series Trygve Ohren Charlotte Rostad Rake Visningsrom Claes OldenburgYlva Cecilie Vestrheim Elisabeth SøilandHeim og land arkitekterFredrik Lund
http://kitchendialogues.com/make-a-reservation/
http://kitchendialogues.com/make-a-reservation/
https://www.facebook.com/events/470978243000056/476346005796613/?notif_t=plan_mall_activity
http://rake.trondheim.no/visningsrom/index.php?%2Fconstantdecay%2Fconstant-decay%2F
http://rake.trondheim.no/visningsrom/index.php?%2Fconstantdecay%2Fconstant-decay%2F
https://www.facebook.com/pages/Claes-Oldenburg/104036606299290?rf=103989636303577
https://www.facebook.com/pages/Gordon-Matta-Clark/112433742105361?rf=112320952112419
https://www.youtube.com/user/THEWOODWAY
https://www.facebook.com/pages/Gordon-Matta-Clark/112433742105361?rf=112320952112419
https://www.youtube.com/user/THEWOODWAY
CAMP ZERO / RAKE CONSTANT DECAY 2013
CAMP ZERO / RAKE CONSTANT DECAY 2013
WE TALK AND SMOKE AROUND THE BRICK FIREPLACE
CIGARS AND CIGARETTES
WE TALK ABOUT THE GREAT MOOD WE HAVE HAD THIS MONTH
COLD SATURDAY AFTERNOON
SITUATION CAMP ZERO
FIRE AND MUSIC AT RAKE CONSTANT DECAY
ART BY KITTY HERTLING
http://rake.trondheim.no/
http://www.wildatart.no/
RELATED VITAMIN 031 (II/-)
6. No colors. "Color blinds." "Colors are an.aspect of appearance and so only of the surface." Colors are barbarie, unstable, suggest ¡¡fe, "cannot be completely controlled," and "should be concealed." Colors are a "distracting embellishment." No white. "White is a color and al¡ colors." White is "antiseptic and not artistic, appropriate and pleasing for kitchen fixtures, and hardly the medium for expressing truth and beauty." White on white is "a transition from pigment to light" and "a screen for the projection of light" and "moving" pictures.
7. No light. No bright or direct light in or over the painting. Dim, late afternoon absorbent twilight is best outside. No chiaroscuro, "the malodorant reality of craftsmen, beggars, topers with rags and wrinkles."
8. No space. Space should be empty, should not project, and should not be flat. "The painting should be behind the picture frame." The frame should isolate and protect the painting from its surroundings. Space divisions within the painting should not be seen.
9. No time. "Clock-time or man's time is inconsequential." There is no ancient or modem, 'no past or future in art. "A work of art is always present." The present is the future of the past, not the past of the future. "Now and long ago are one."
10. No size or scale. Breadth and depth of thought and feeling in art have no relation to physical size. Large sizes are aggressive, positivist, intemperate, venal, and graceless.
ad reinhardt
12 rules for a new academy
1961
