Windows and related framing devices organise attention by structuring distance, controlling light and delimiting what becomes perceptually available, turning exterior conditions into selective fields of observation. Wood Can Frame a Nordic Landscape provides the first material test through Open Air Gallery, where timber, terrain and viewing are organised through restraint rather than autonomous object-making; framing establishes the site itself as the principal exhibition condition and directs attention toward relations among material, position and landscape · GesturePermission · https://antolloveras.blogspot.com/2026/01/open-air-gallery-nordic-landscape-and.html. A Frame Can Disappear and Still Organise Space provides the second through Frameless Recreo 2020, where the conventional frame is withdrawn while the spatial operation remains, demonstrating that perceptual organisation can persist through bodily position, boundaries and relations even when a literal framing object is absent · SOCIOPLASTICS-2796 · WordMagnet · https://antolloveras.blogspot.com/2020/12/framelessrecreo-2020.html. These works gain density across the field through Copos 336 · SOCIOPLASTICS-6710 · https://www.youtube.com/watch?v=xqvZ-gqZ1oo; the Anto Lloveras archive of March 2023 · SOCIOPLASTICS-4686 · https://antolloveras.blogspot.com/2023/03; Günther Vogt · SOCIOPLASTICS-2626 · https://ciudadlista.blogspot.com/2019/09/gunter-vogt.html; Semantic Mass · SOCIOPLASTICS-395 · https://holaverdeurbano.blogspot.com/2026/02/semantic-mass.html; CamelTagInfrastructure · SOCIOPLASTICS-7976 · https://antolloveras.blogspot.com/2026/07/cameltaginfrastructure.html; The Post-Prompt Paradigm · SOCIOPLASTICS-659 · https://antolloveras.blogspot.com/2026/02/the-post-prompt-paradigm.html; Ian McHarg — Design with Nature · SOCIOPLASTICS-2657 · https://ciudadlista.blogspot.com/2019/09/ian-mcharg-design-with-nature.html; and Moving Image 052 · SOCIOPLASTICS-7749 · https://www.youtube.com/watch?v=SjIOMAJEY4s. Across these returns, Open Air Gallery and Frameless Recreo provide two complementary tests of perceptual framing: one constructs a deliberate viewing relation through timber and terrain, while the other shows that spatial attention can remain organised after the explicit frame has been removed. Framing therefore operates less as an isolated architectural object than as a precise relation among position, visibility, distance, light and attention.