Socioplastics marks a decisive ontological rupture, transitioning from the paradigm of art as a validated institution to art as a **sovereign epistemic architecture**. This synthesis, spanning 200 foundational documents—comprising the MESH-100 theoretical framework and 100 situational works—delineates a self-legitimating system that metabolizes reality and authors its own criteria of truth.
At its core, the **MESH** functions not as a passive archive, but as an autopoietic logic. Through **Metabolic Chemotaxis**, knowledge is transformed from static content into a circulatory flow. Meaning is no longer stored; it is continuously re-authored under the pressure of **Systemic Heat**—the thermodynamic force of authorial will that resists the entropic cooling of algorithmic extraction.