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Mostrando entradas con la etiqueta OSCAR DE CARMEN. Mostrar todas las entradas

IV Art and Architecture BIENNIAL ________ Lagos, Nigeria 2024 __________TEXTILE PAVILION



The OUTSIDER team's participation in the Biennale technically consists of the construction of a textile pavilion in the square, anchored to the sculptures in the shape of horses and eagles that are at the top of the entrance. The pavilion is made up of tension cables anchored to the sculptures and a spike to which these cables are anchored. This installation is carried out by the technical arm of LaBienal to guarantee stability and anchoring with the associated engineer. Before and during the Biennale, the OUTSIDER team will coordinate training on these cables of a cover, made up of textile scraps purchased at the Kataangwa market. Several bundles will be purchased, which will be analyzed in the workshop, and will be sewn on-site to form the textile cover (jaima-flag concept), which will increase in size during the biennial, with the artists working on its creation, counting with the participation of the attending public. The pavilion is built together, but it is never finished. Whoever wants to sew a part. Being outdoors, weather conditions, wind or rain, can be agents that intervene in the process. Being a symbolic cover, a piece of fabric sewn with another, even with the utmost rigor, the impermeability of the cover seems secondary, and it can get wet and dry in the sun. The cover fragments will be sewn and securely consolidated to the guy wires. The perimeter of each piece that makes up the awning must necessarily be self-supporting and resistant so that its own weight does not open the seams. The sum of fragments consolidates the cover, which is considered as a process, a fragment of a greater possibility. The disassembly and transfer will take place once the public part of the Biennial is over. Some relevant pieces, the most successful, will be packaged for later use in other contexts. Repatriated and traveling mini-pavilions.

A team of four people will travel to Lagos, Nigeria on January 15, 2024, to prepare the OUTSIDER project at the 4th Art and Architecture Biennial, to be held in Tawafa Balewa Square, along with eleven other participating teams. The biennial is held outdoors and is made up of twelve pavilions different in concept and form, which are united by the premise of curating, in relation to the concept of REFUGE. Global museography or micro-urbanism, fair or expo type, is carried out by AKETÉ and its associates. The official opening is on February 3 and the Biennial will last a week.


WILD FLOWERS¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨EXHIBITION #74¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨***************************************SOCIAL CAPITAL AND relational NARRATIVES___________________ONGOING NATURALIZATION¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨



Adonis aestivalis
Anthemis arvensis
Anagallis
Agrostemma githago
Centaurea cyanus
Coreopsis tinctoria
Dianthus barbatus
Digitalis purpurea
Eschscholzia californica
Gypsophila elegans
Glebionis segetum
Papaver rhoeas
Silene latifolia

Viola tricolor




A wildflower (or wild flower) is a flower that grows in the wild, meaning it was not intentionally seeded or planted. The term implies that the plant probably is neither a hybrid nor a selected cultivar that is in any way different from the way it appears in the wild as a native plant, even if it is growing where it would not naturally. 

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961 MARTINKA BOBRIKOVA - OSCAR DE CARMEN - BED AND BREAKFAST PRAHA


962 SINQUENZA - BOTTLE IN A MESSAGE


963 PAUL DOEMAN - SET

964 FREDRIK LUND - BODY IN SPACE


965 NIKÉ NAGY - PINK AND GREY


966 MARÍA ENRÍQUEZ - DOS MUNDOS

967 ANA MATEY - CHAIR

968 TANIA ARIAS - IN THE WILD



969 MARISA CAMINOS - CLON - PUNTO DE FUGA (III)

970 TOMOTO - MEAT UPDATES ++ 115 ++



971 POL PARRHESIA - GOOD DEAL



972 MANOLO CALVO - CASA STUDIO MADRID

973 FRANÇOISE ROHMER - POTS - PROVENCE

974 TEREZA ERBENOVÁ - GARDEN AND STUDIO



975 JESÚS LEÓN - COCONUT - MEXICO CITY GLAM SERIES


976 MANUEL MAQUEDA - MIEL

977 RUBÉN BONET - ASFIXIA - CONSUMO Y FASCISMO



978 PAULA LLOVERAS - POLITICAL FILTER



979 LLLL - YOUTUBE BREAKFAST - HIGH CLASS (1)

980 ANTO LLOVERAS - PRAHA QUADRENNIAL - SITUATIONAL FIXERS

In biology, naturalisation (or naturalization) is any process by which a non-native organism spreads into the wild and its reproduction is sufficient to maintain its population. Such populations are said to be naturalised. Some populations do not sustain themselves reproductively, but exist because of continued influx from elsewhere. Such a non-sustaining population, or the individuals within it, are said to be adventive.[1] Cultivated plants are a major source of adventive populations. Naturalised species may become invasive species if they become sufficiently abundant to have an adverse effect on native plants and animals.


ART SHOW AND NARRATIVES 
BY ANTO LLOVERAS
CONCEPTUAL ARTIST AND RELATIONAL CURATOR

WITH ASSOCIATED WILD FLOWERS
ALL RIGHTS RESERVED















NEW SHOW
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THE WORD
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EXHIBITION #75 THE WORD
2016              *****








1000 
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ART SERIES BY ANTO LLOVERAS
- DIRECTOR CURATOR -
AND 
ASSOCIATED ARTISTS




RAKE BONUS - CONSTANT DECAY - CROSS CONVERSATIONS - CAMP ZERO - TRONDHEIM 2013


RAKE BONUS SPACE. 

THE CONSTANT DECAY ART PROCESS


LLLL UNSTABLE ART AGENCY AT
VERNISSAGE AT RAKE BONUS SPACE
THE CONSTANT DECAY ART PROCESS
SATURDAY

Interesting process for the Trondheim Art Scene. The takeover of a building that might be demolished soon. Most of the art agents were there. Some wine and absenta to drink. Trygve Ohren and Charlotte Rostad have curated around 20 artists to dynamize the process. A big sausage was hanged out at the facade (Claes Oldenburg revisited) one of the artists painted a white room with blue dots by throwing a ball during hours to the walls, as public performance. The glass dots have an abstract plastic look, glass as canvas. In the house some rooms were programmed with video-installations (in several rooms, multichannel conversations, a parallel talked drama on tv sets). A memory writing wall where visitors throw comments, a junk dj room, and a food-restaurant piece ( Matta Clark revisited), where two of the artists offers dinners for free this month with the leftover food from local supermarkets. The couple live in the house and have a web page where you can register for the 6-9 pm meal. Their apartment has been furnished with third hand stuff by the artists Ylva Cecilie Vestrheim + Elisabeth Søiland (Heim&Land) who recently came back from Bergen where they presented the new step of their book binding piece. We will come around this week again. Another nice piece was a falling sand little hill. Quick talks in crowded corridors with Fredrik Shetelig Dean of the Architecture School at the NTNU, that spoke about the future boulevard that will come when the building is demolished. Hilde Bøkestad the new headurbanist of Trondheim City Council, that we met, has new challenges for the outcomes of the City of Trondheim. We also met Gro Rødne, who has been bussy with the latest eddition of THEWOODWAY, now to be seen in town. We filmed the 2008 edtion, launched by Professor Fedrik Lund with international guest critic Tony Fretton Architects. We are now very curious about this month process, and spoke with Ann-Cathrin Hertling (Wild at Art) and Pontus Kyander (Director of the Trondheim Museum of Modern Art) that will be on alert during the process and develop a text on the narratives that might happen.Anto Lloveras Lapieza Relational Art Series Trygve Ohren Charlotte Rostad Rake Visningsrom Claes OldenburgYlva Cecilie Vestrheim Elisabeth SøilandHeim og land arkitekterFredrik Lund
http://kitchendialogues.com/make-a-reservation/

CAMP ZERO / RAKE CONSTANT DECAY 2013


CAMP ZERO / RAKE CONSTANT DECAY 2013
WE TALK AND SMOKE AROUND THE BRICK FIREPLACE
CIGARS AND CIGARETTES
WE TALK ABOUT THE GREAT MOOD WE HAVE HAD THIS MONTH

COLD SATURDAY AFTERNOON
SITUATION CAMP ZERO
FIRE AND MUSIC AT RAKE CONSTANT DECAY
ART BY KITTY HERTLING


http://rake.trondheim.no/visningsrom/index.php?%2Fconstantdecay%2Fconstant-decay%2F
http://www.wildatart.no/

RELATED VITAMIN 031 (II/-) 

6. No colors. "Color blinds." "Colors are an.aspect of appearance and so only of the surface." Colors are barbarie, unstable, suggest ¡¡fe, "cannot be completely controlled," and "should be concealed." Colors are a "distracting embellishment." No white. "White is a color and al¡ colors." White is "antiseptic and not artistic, appropriate and pleasing for kitchen fixtures, and hardly the medium for expressing truth and beauty." White on white is "a transition from pigment to light" and "a screen for the projection of light" and "moving" pictures.

7. No light. No bright or direct light in or over the painting. Dim, late afternoon absorbent twilight is best outside. No chiaroscuro, "the malodorant reality of craftsmen, beggars, topers with rags and wrinkles."

8. No space. Space should be empty, should not project, and should not be flat. "The painting should be behind the picture frame." The frame should isolate and protect the painting from its surroundings. Space divisions within the painting should not be seen.

9. No time. "Clock-time or man's time is inconsequential." There is no ancient or modem, 'no past or future in art. "A work of art is always present." The present is the future of the past, not the past of the future. "Now and long ago are one."

10. No size or scale. Breadth and depth of thought and feeling in art have no relation to physical size. Large sizes are aggressive, positivist, intemperate, venal, and graceless.

ad reinhardt
12 rules for a new academy
1961
  — con Lapieza Relational Art Series y Anto Lloveras.