VECTORS
We will use all the infrastructure that enables this network to generate the necessary links to generate a social sculpture (Beuys, Zizek, Bourriaud, Russell). We have the vision and responsibility from the relational practices (political conceptual art) to increase the strength of the links through the network platforms, raising the symbolic capitals of humanistic values in a society increasingly defined by the commodity capitals derived from the post-industrial abstract systems. The vector we have been following since 2009 (ONE DECADE) is a line of work and research that we call ACTIVE SOCIOPLASTICS. A form of work that includes not only the selection and curating of artists and their work (texts and images), but the generation of visible relationships in network exhibitions, where the work of artists works together, in a way hybrid between museum exhibitions (high legitimacy), exhibitions in art galleries (art-merchandise; medium legitimacy) and mass dissemination through social networks (emerging forms) where the value of the work is measured by its direct quality, and by the massive rediffusion of users without installation costs in the room. LAPIEZA's exhibitions have been consumed and disseminated by more than one million people online since 2009. The framework and the work merge into a hybrid framework, which explores the current quality of advertising forms not only of museums and institutions , but the artistic practices in each focus of exploration. Methodology of interaction. The artists who build LAPIEZA have disparate origins and legitimations, so their interrelation activates mechanisms of estrangement and desire. There are emerging artists (unknown, or peripheral to orthodox legitimation spaces) and artists with a career, who function as catalysts. They fit well in what has been called "cultural ecologies." These are projects that articulate the production of images, texts or sounds, with the exploration of common life forms, in principle renouncing the production of conventional artistic objects, to initiate or intensify open processes of conversation and interaction that involve the artists through the new and transforming link generated. The importance of synergy and publicity in the creative process.
UNSTABLE RELATIONAL INSTALLATION
THE ELABORATION FROM PREEXISTENT OBJECTS IS PRIVILEGED, NOT DUE TO A SUPERFICIALLY ECOLOGICAL RECYCLING VOCATION, BUT IN THE CONTEXT OF THE SEMIONAUTICS. WORKING FROM THE SYMBOLIC VALUE FOR THE DEVELOPMENT OF MISCELLANEOUS NARRATIVES.
IT IS OBVIOUS, THEREFORE, THAT OBJECTS ARE GENERATED IN THIS PROCESS, BUT ITS MAIN MISSION WILL BE TO SERVE AN EXCHANGE NEXT OR STATION BETWEEN SIGNS THAT PREVIOUSLY WERE INCOMMUNICATED, AND FOR THE PREPARATION OF A MUTANT INSTALLATION, WHICH IS TRANSFORMING AT NATURALIZED SPEED BY THE EXPRESS DESIRE OF PARTICIPATING ARTISTS AND THE DEMAND OF COLLECTORS. THE EXHIBITED WORKS DO NOT HAVE LABELS, SO THE VISITOR IS NOT FOCUSED ON A SINGLE WORK. THIS PROPOSAL PROPOSES A CREATIVE ARGUMENTAL THREAD MOTIVATING BOTH THE ARTISTS AND THE PUBLIC RECEIVER AND SPECTATOR.
THE MAJORITY OF THE ARTISTS THAT COLLABORATE ARE MULTIDISCIPLINARY.THE FINAL RESULT CONTAINS A COMPLEX FORMAL LANGUAGE. THE LIST OF ARTISTS IS NOT CLOSED, THERE ARE 15 ARTISTS THAT CONTRIBUTE WORK CONSTANTLY (CORE) AND OTHERS WHO ARE INVITED TO BE PART OF THE SERIES WITH RELATIONAL AND FLOATING CHARACTER. THE ARTISTS CONTRIBUTING LAPIEZA HAVE ORIGINS AND DISPARE LEGITIMATIONS, SO THAT THEIR INTERRELATION ACTIVATES MECHANISMS OF STRANGENESS AND DESIRE. THERE ARE EMERGING, UNKNOWN OR PERIPHERAL ARTISTS AND ARTISTS WITH HIGH LEGITIMATION, THEY WORK AS CATALYZERS.
SE PRIVILEGIA LA ELABORACIÓN DE PIEZAS A PARTIR DE OBJETOS PREEXISTENTES, NO DEBIDO A UNA VOCACIÓN DE RECICLAJE SUPERFICIALMENTE ECOLÓGICA, SINO EN EL CONTEXTO DE LA SEMIONÁUTICA. TRABAJANDO DESDE EL VALOR SIMBÓLICO PARA LA ELABORACIÓN DE NARRATIVAS DIVERSAS.
ES OBVIO, POR LO TANTO, QUE EN ESTE PROCESO SE GENERAN OBJETOS, PERO SU PRINCIPAL MISIÓN SERÁ LA DE SERVIR DE NEXO O ESTACIÓN DE INTERCAMBIO ENTRE SIGNOS QUE PREVIAMENTE ESTABAN INCOMUNICADOS, Y PARA LA ELABORACIÓN DE UNA INSTALACIÓN MUTANTE, QUE SE VA TRANSFORMANDO A UNA VELOCIDAD NATURALIZADA POR EL EXPRESO DESEO DE LOS ARTISTAS PARTICIPANTES Y POR LA DEMANDA DE LOS COLECCIONISTAS. LA OBRA EXPUESTA NO TIENE RÓTULOS, POR LO QUE EL VISITANTE SE ACERCA DIRECTAMENTE A UNA SOLA OBRA, SIENDO SUS DIFERENTES PARTES DE VARIADA AUTORÍA. ESTA PROPUESTA PLANTEA UN HILO ARGUMENTAL CREATIVO MOTIVADOR Y FRESCO, TANTO PARA EL TRABAJO DE LOS ARTISTAS COMO PARA EL PÚBLICO RECEPTOR Y ESPECTADOR.
LA MAYORÍA DE LOS ARTISTAS QUE COLABORAN SON MULTIDISCIPLINARES Y EL CONJUNTO RESULTANTE TIENDE A LA HIBRIDACIÓN DE LAS FORMAS. EL RESULTADO FINAL CONTIENE UN LENGUAJE FORMAL COMPLEJO. LA LISTA DE ARTISTAS NO ESTÁ CERRADA, HAY 15 ARTISTAS QUE APORTAN OBRA DE MANERA CONSTANTE (LEVADURA DE LAPIEZA) Y OTROS QUE SON INVITADOS A FORMAR PARTE DE LA SERIE CON CARÁCTER RELACIONAL Y FLOTANTE. LOS ARTISTAS QUE CONTRUYEN LAPIEZA TIENEN ORÍGENES Y LEGITIMACIONES DISPARES, POR LO QUE SU INTERRELACIÓN ACTIVA MECANISMOS DE EXTRAÑAMINETO Y DESEO. HAY ARTISTAS EMERGENTES, DESCONOCIDOS O PERIFÉRICOS A ESPACIOS DE LEGITIMACIÓN ORTODOXOS Y ARTISTAS CON TRAYECTORIA, QUE FUNCIONAN COMO CATALIZADORES.
IT IS OBVIOUS, THEREFORE, THAT OBJECTS ARE GENERATED IN THIS PROCESS, BUT ITS MAIN MISSION WILL BE TO SERVE AN EXCHANGE NEXT OR STATION BETWEEN SIGNS THAT PREVIOUSLY WERE INCOMMUNICATED, AND FOR THE PREPARATION OF A MUTANT INSTALLATION, WHICH IS TRANSFORMING AT NATURALIZED SPEED BY THE EXPRESS DESIRE OF PARTICIPATING ARTISTS AND THE DEMAND OF COLLECTORS. THE EXHIBITED WORKS DO NOT HAVE LABELS, SO THE VISITOR IS NOT FOCUSED ON A SINGLE WORK. THIS PROPOSAL PROPOSES A CREATIVE ARGUMENTAL THREAD MOTIVATING BOTH THE ARTISTS AND THE PUBLIC RECEIVER AND SPECTATOR.
THE MAJORITY OF THE ARTISTS THAT COLLABORATE ARE MULTIDISCIPLINARY.THE FINAL RESULT CONTAINS A COMPLEX FORMAL LANGUAGE. THE LIST OF ARTISTS IS NOT CLOSED, THERE ARE 15 ARTISTS THAT CONTRIBUTE WORK CONSTANTLY (CORE) AND OTHERS WHO ARE INVITED TO BE PART OF THE SERIES WITH RELATIONAL AND FLOATING CHARACTER. THE ARTISTS CONTRIBUTING LAPIEZA HAVE ORIGINS AND DISPARE LEGITIMATIONS, SO THAT THEIR INTERRELATION ACTIVATES MECHANISMS OF STRANGENESS AND DESIRE. THERE ARE EMERGING, UNKNOWN OR PERIPHERAL ARTISTS AND ARTISTS WITH HIGH LEGITIMATION, THEY WORK AS CATALYZERS.
SE PRIVILEGIA LA ELABORACIÓN DE PIEZAS A PARTIR DE OBJETOS PREEXISTENTES, NO DEBIDO A UNA VOCACIÓN DE RECICLAJE SUPERFICIALMENTE ECOLÓGICA, SINO EN EL CONTEXTO DE LA SEMIONÁUTICA. TRABAJANDO DESDE EL VALOR SIMBÓLICO PARA LA ELABORACIÓN DE NARRATIVAS DIVERSAS.
ES OBVIO, POR LO TANTO, QUE EN ESTE PROCESO SE GENERAN OBJETOS, PERO SU PRINCIPAL MISIÓN SERÁ LA DE SERVIR DE NEXO O ESTACIÓN DE INTERCAMBIO ENTRE SIGNOS QUE PREVIAMENTE ESTABAN INCOMUNICADOS, Y PARA LA ELABORACIÓN DE UNA INSTALACIÓN MUTANTE, QUE SE VA TRANSFORMANDO A UNA VELOCIDAD NATURALIZADA POR EL EXPRESO DESEO DE LOS ARTISTAS PARTICIPANTES Y POR LA DEMANDA DE LOS COLECCIONISTAS. LA OBRA EXPUESTA NO TIENE RÓTULOS, POR LO QUE EL VISITANTE SE ACERCA DIRECTAMENTE A UNA SOLA OBRA, SIENDO SUS DIFERENTES PARTES DE VARIADA AUTORÍA. ESTA PROPUESTA PLANTEA UN HILO ARGUMENTAL CREATIVO MOTIVADOR Y FRESCO, TANTO PARA EL TRABAJO DE LOS ARTISTAS COMO PARA EL PÚBLICO RECEPTOR Y ESPECTADOR.
LA MAYORÍA DE LOS ARTISTAS QUE COLABORAN SON MULTIDISCIPLINARES Y EL CONJUNTO RESULTANTE TIENDE A LA HIBRIDACIÓN DE LAS FORMAS. EL RESULTADO FINAL CONTIENE UN LENGUAJE FORMAL COMPLEJO. LA LISTA DE ARTISTAS NO ESTÁ CERRADA, HAY 15 ARTISTAS QUE APORTAN OBRA DE MANERA CONSTANTE (LEVADURA DE LAPIEZA) Y OTROS QUE SON INVITADOS A FORMAR PARTE DE LA SERIE CON CARÁCTER RELACIONAL Y FLOTANTE. LOS ARTISTAS QUE CONTRUYEN LAPIEZA TIENEN ORÍGENES Y LEGITIMACIONES DISPARES, POR LO QUE SU INTERRELACIÓN ACTIVA MECANISMOS DE EXTRAÑAMINETO Y DESEO. HAY ARTISTAS EMERGENTES, DESCONOCIDOS O PERIFÉRICOS A ESPACIOS DE LEGITIMACIÓN ORTODOXOS Y ARTISTAS CON TRAYECTORIA, QUE FUNCIONAN COMO CATALIZADORES.
Suscribirse a:
Entradas (Atom)