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PUPAS (8) PAULA LLOVERAS




ART BY PAULA LOVERAS

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System Architect

  • Anto Lloveras
    -
  • Socioplastics Console · Field Door
  • LAPIEZA * Archive 2009–2025 * Exhibition Sequence · Curated by Anto Lloveras
Art as Condition, Field, Risk, and Matter
Socioplastics studies architecture as epistemic infrastructure: a system for organising knowledge, structuring relations and stabilising public form.
Index · ORCID · LAPIEZA-LAB

REVIEW

LAPIEZA is a long-duration frame-work arranging art, text and space as one relational system. →
LAPIEZA — 2009–2025 — ARCHIVE
2025   ★ Stone Dream
2024   ★ Field Threshold
2023   ★ Relational Archive
2022   ★ Lamar
2021   ★ Road
2020   ★ Recreo
2019   ★ Athens
2018   ★ Flock
2015   ★ Series Field
2014   ★ Exhibition Matrix
2013   ★ Curatorial System
2012   ★ Relational Syntax
2011   ★ Acceleration
2010   ★ Acceleration
2009   ★ Foundational Aperture

180 series in 15 years

This sustained rhythm shapes each series as a research unit and a portable exhibition format, where artworks, conversations, and contexts converge into a temporary public. Time operates as material, and curating functions as writing across duration. The accumulation of series generates continuity, attention, and a growing ecology of relations.

2009-2025

LAPIEZA · Archive 2009–2025
A seventeen-year curatorial field structured through mutations, serial works, and relational constellations. Across 180+ series and 2200+ pieces, LAPIEZA evolved from an independent room in Madrid into a distributed archive of artistic research, social form, and socioplastic experimentation.
YEAR INDEX
2025 · Stone Dream
Final crystallisation and rural turn. Series include Bancal, Sverige, Nigonho, Trapecio, Turtle Visions, Estrugas e Fentos, Inverno de Pedra, Cuentos, Hortus, Miñoca, Brasil, Class Act, San Roque, Parlons Cinema, Beaucoup, Merci, PSICAMB, La Luz en Cádiz, Copos.

2024 · Chronicle
Documentation, biennials, and expanded territorial dialogue. Series include Confetti, Lost Rocks, Meesters, Copos, TP7 Lugo, Textile Talks, IAPS Barcelona, Liminality, Tra(d)iciones, Resilient Visions, re-(t)exHile, The Light in Cádiz.

2023 · Development
Multiplication, theoretical emergence, and renewed serial density. Series include Prime Factor, Nature Boy, Tar, Radiance, Loop, Voyage Voyage, Retro Expresionism, Rero Pop, Relieve, Sorrow.

2022 · Lamar
Elemental intimacy, collapse, and threshold works. Series include La Mar, Deep Sleep, Grey, Unstable Love, Solitude, Basal.

2021 · Road
Return, movement, restoration, and post-pause trajectory. Series include The Road to Restoration.

2020 · Recreo
Slow time, pause, and active withdrawal. Series include RECRE0.

2019 · Athens
Geographic anchoring and Mediterranean displacement. Series include The Light in Athens.

2018 · Flock
Collective swarm logic at full scale. Series include Flock, a 27-series constellation with 243 works.

2017 · Artnations
Expansion into large distributed bodies of work. Series include Artnations and related sequences such as Lips, Wisteria, Ficus, Palmtree, Suck, Concept, Ready, Idiom, Pompa, Melaza.

2016 · The Word
High-density serial production and refined formal language. Series include The Word, Wild Flowers, Exfoliation, Incisions and Dissections, Sweet Corn Brutalism.

2015 · Institution
Framework, consolidation, and infrastructural refinement. Series include Butter Factory, Zero Zero, Thick Smoke, Bank Account, Aerial Roots, Naked Eye, Sugar Sunset, Fresh Museum.

2014 · Instrument
The curatorial device becomes explicit. Series include Structural Conversations, Ensayos Posicionales, Goma, Antorcha.

2013 · System
Structural awareness and expanding serial grammar. Series include Nowhere, Kiss, Neta, Expansivo, System, Deseo, Vulcano, Bullet.

2012 · Atmosphere
Context, mood, and environmental composition come forward. Series include Sed, Cosmotidiano, Party, Cocktail, Glitter, Fugaz, Babylon, Mud, Translation, Snow, Phantom, Cloud, Frame.

2011 · Acceleration
Rapid mutation and consolidation of the weekly serial format. Series include Radical, Ganga, Traca, Progression, Geometry, Motion, Unstable, Empty, Glow, Glam, Miseria, Deshielo, Hole, Power, Naturalism, Trip, Bonus, Galaxia, Océano, Family, Desierto, Deriva, Samba, Pulpa, Masa, Playtime, Supermarket.

2010 · Acceleration
Early velocity, weekly rhythm, and the emergence of the serial engine. Series include Fastforward, Pan, Ball, Fire, Sales, Socioplastics, Kiwi, Mosca.

2009 · Foundational Aperture
Opening gestures and first mutations in Madrid. Series include Exit and Bazar.

Y E S

  • In the expanded field of contemporary practice, where artistic research increasingly confronts the exhaustion of singular gestures and the demands of scalar complexity, Anto Lloveras’s Socioplastics proposes a decisive shift: the field itself—understood as metabolic architecture, bibliographic exoskeleton, and navigable grammar—becomes the primary medium. Neither object nor exhibition, nor conventional theoretical treatise, this corpus of over 4000 nodes, stratified tomes, century-packs, DOI-anchored cores, and machine-readable datasets operates as an autonomous knowledge infrastructure. Position functions as syntax; density produces coherence; citation hardens into structure. Against the atomized attention economies of platforms and the lingering romanticism of the lone author, Lloveras constructs a terrain where visibility arrives late, through deliberate latency and gravitational accumulation. The thesis is structural: a field can be carefully designed, its soft ontology engineered through stable cores and permeable edges, transforming provisional material into enduring, citable reality.
  • COLONIZACIÓN UTÓPICA - YREALYDAD
  • Socioplastics operates as a recursive textual architecture in which writing ceases to function as commentary and instead becomes load-bearing infrastructure. Organized across three stratified cores—CORE I (Infrastructure & Logic, nodes 501–510), CORE II (Dynamics & Topology, nodes 991–1000), and CORE III (Fields & Integration, nodes 1501–1510)—the corpus builds itself through protocols of semantic hardening, citational commitment, and systemic lock, transforming dispersed blog posts into a geological field held together by lexical gravity and metabolic renewal through recursive autophagia. The ambition is epistemic sovereignty: a system that defines its own operative units, regulates its own coherence, and persists through infrastructural autopoiesis without requiring external validation.
  • [494] SOCIOPLASTIC-MESH * LAPIEZA to MESH: 15 Years of Relational Insurgency
  • GravitationalCorpus names the first condition of field formation: a corpus ceases to behave as accumulation and begins to exert mass, bending interpretation through recurrence, density, citation, and persistence. Yet mass without proportion risks opacity; ScalarArchitecture distributes that pressure across sentence, node, book, tome, core, repository, platform, and public interface, allowing the field to scale without becoming debris. MetadataSkin then forms the membrane through which this scalar density becomes searchable, citable, parseable, and retrievable, while FlowChanneling converts archival structure into directed circulation through DOI deposits, indexes, blogs, datasets, pedagogical uses, citation routes, and machine-readable surfaces. The decisive ignition occurs through an ActivationNode, where a query, citation, download, syllabus, misreading, or repository resolve turns latent structure into network behaviour. However, activation must not dissolve the field’s integrity. SystemicLock gives the corpus internal necessity, ensuring that its concepts cannot be rearranged casually without altering the whole. ThresholdClosure regulates the points where the field opens, delays, seals, or redirects contact, while SemanticHardening turns repeated operators into load-bearing vocabulary through use, correction, citation, and critical response. CitationalCommitment binds claims to durable references, DOI anchors, authorship, bibliographic surfaces, and public accountability. Finally, DualAddress ensures that every inscription speaks both to human readers requiring argument and to machine parsers requiring metadata, syntax, and retrievability. Together, these ten operators produce a verifiable socioplastic infrastructure: the corpus attracts, architecture scales, metadata exposes, channels move, nodes ignite, lock holds, thresholds regulate, semantics harden, citations bind, and address doubles. A field becomes durable when it is not only written, but findable, accountable, and structurally resistant to disappearance.
  • Relational Infrastructure
  • Socioplastics operates as a grammar of field formation in which FlowChanneling directs dispersed cultural matter into readable trajectories, CameltagInfrastructure converts naming into technical support, SemanticHardening stabilises conceptual plasticity without freezing it, StratumAuthoring organises the corpus as layered authorship rather than linear production, CitationalCommitment binds each operation to retrievable proof, GravitationalCorpus gives accumulated density the force of attraction, MeshEngine turns multiplicity into relational mechanics, MasterIndex transforms scale into navigable architecture, LegibleArchive makes the field publicly traversable, and DiagonalReading opens the system to transversal interpretation across art, architecture, urbanism, media, pedagogy and repositories; together these ten operators define Socioplastics not as a thematic archive but as an infrastructural syntax, where each node behaves like a grammatical unit, each DOI like a structural joint, each tome like a spatial section, and each platform like an entrance into a broader epistemic environment. The result is a field that does not ask for coherence from outside, because its coherence is produced internally through repetition, anchoring, indexing, circulation and scalar legibility: a constructed language of artistic research in which concepts acquire mass, archives become architecture, and publication becomes the operative ground of thought.
  • LIGHT SOCIAL SCULPTURE _______ANTO LLOVERAS _______#830 FRESH MUSEUM________ PROVENCE 2014
  • Didactical Invitations into the Field * SOCIOPLASTICS — Threshold Texts * Anto Lloveras · LAPIEZA-LAB · 2026
  • The Architecture Holds ***** StratigraphicField, LexicalGravity, EpistemicLatency, RecursiveAutophagia, ThresholdClosure, PlasticPeripheries, ArchiveFatigue, BioticCoupling and DiagonalReading as the Living Infrastructure of Socioplastics — Anto Lloveras — Socioplastics — LAPIEZA-LAB, Madrid — ORCID: 0009-0009-9820-3319 —

ART SERIES 179

ART SERIES 179
BANCAL

ART SERIES 150

ART SERIES 150
LAGOS 2024 ARRT AND ARCHITECTURE BIENNIAL

BRANDS

Exit, Bazar, Mosca, Kiwi, Socioplastics, Sales, Fire, Ball, Pan, Fastforward, Supermarket, Playtime, Masa, Pulpa, Samba, Deriva, Desierto, Family, Océano, Galaxia, Bonus, Trip, Naturalism, Power, Hole, Deshielo, Miseria, Glam, Glow, Empty, Unstable, Motion, Geometry, Progression, Traca, Ganga, Radical, Frame, Cloud, Phantom, Snow, Translation, Mud, Babylon, Fugaz, Glitter, Cocktail, Party, Cosmotidiano, Sed, Bullet, Vulcano, Deseo, System, Expansivo, Neta, Kiss, Nowhere, Antorcha, Goma, Ensayos Posicionales, Structural Conversations, Fresh Museum, Sugar Sunset, Naked Eye, Aerial Roots, Bank Account, Thick Smoke, Zero Zero, Butter Factory, Sweet Corn Brutalism, Periodical Incisions and Dissections, Exfoliation, Wild Flowers, The Word, Melaza, Pompa 1011, Idiom, Ready, Concept, Suck, Palmtree, Ficus, Wisteria, Lips, Artnations, Flock, The Light in Athens 3X, Recre0, The Road to Restoration, Basal, Solitude, Unstable Love Series, Grey, Deep Sleep, La Mar, Sorrow, Relieve, Rero Pop, Retro Expresionism, Voyage Voyage, Loop, Radiance, Tar, Nature Boy, Prime Factor 3X, The Light in Cádiz, Re-(T)exHile, Resilent Visions, Tra(d)iciones, Liminality, IAPS Barcelona, Textile Talks, TP7 Lugo Territorios Pastoreados, Copos, Meesters, Lost Rocks, Confetti, La Luz en Cádiz, Psicamb, Merci, Beaucoup, Parlons Cinema, San Roque, Class Act, Brasil, Miñoca, Hortus, Cuentos, Inverno de Pedra, Estrugas e Fentos, Turtle Visions, Trapecio, Nigonho, Sverige, Bancal, Summer I, Summer II, Ego Trips, Cádiz La Luz, Copos, Lumbar Pressure

155

155
IAPS BARCELONA

READ MY LIPS

READ MY LIPS
ART SERIES 085

ART SERIES 151

ART SERIES 151
RESILENT VISIONS

GREY

GREY
ART SERIES 131 + 132

3X3X3X3X3 ARTNATION 243+ 2020 ///////// FLOCK

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LAPIEZA 801____1000 !

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FRESH MUSEUM

FRESH MUSEUM
ART SERIES #63

SERIES 69

SERIES 69

153 154

153 154
LIMINALITY

ARTSPACE 2020-2021 NOW

ARTSPACE 2020-2021 NOW
R E C R E O

LA MAR

LA MAR
SUPERNATURAL SERIES 134

ARTISTS | 2009-2016

TOMOTO (278) MARISA CAMINOS (202) PAULA LLOVERAS (176) MARÍA ENRÍQUEZ (89) PAUL DOEMAN (82) KRAPOOLA (71) HECTRUSO (68) FEDERICO GÓMEZ (65) MANUEL MAQUEDA (63) TOÑO CAMUÑAS (60) REGINA FIZ (59) SEBAS BEYRO (58) FREDRIK LUND (55) SINQUENZA (53) CLAUDE CHUZEL (49) YREALYDAD (49) EDUARDO CAJAL (42) JUAN BARTE (42) POL PARRHESIA (42) THOMASSIN (41) YAN NAZCA (37) JONAY PMATOS (35) JAVIER PÉREZ ARANDA (32) LIMBER VILORIO (31) ROBERTO EQUISOAIN (31) LUCIA C PINO (30) FRANCISCO MATEOS (25) LUIS GARCÍA GIL (24) MONOPERRO (24) RUBÉN BONET (22) GIUSEPPE ZAMORA (21) AXEL DI CHIAPPARI (20) OMAR JEREZ (20) HOMBRE_U (18) MIGUEL GUZMAN (18) ANAMUSMA (17) LUIS PADREDA (17) ANA MATEY (15) CARLOS LLAVATA (15) JESÚS ANDRÉS (15) RAFAFANS (15) JESÚS LEÓN (14) MAITE DONO (14) ANDRÉS MONTES (13) ELISE PLAIN (12) LUJÁN MARCOS (12) TOMOHARU PEÑA (12) DANINO BOZIC (11) YAKY BONACIC-DORIC (11) ALFONSINA RAMÍREZ (10) HEATHER PASSMORE (10) PABLO ESPLÁ (10) RUBEN LORENZO (10) ÁNGELES CASTRO (10) SABINE FELDEN (9) ALFONSO GARCÍA DEL REY (8) HO WAI FONG (7) LUIS FORES (7) SUSAN CAMPOS (7) ALFRED ZORRITA (6) ANGELA LEÓN (6) ESTHER REVUELTA (6) FRANÇOISE ROHMER (6) LÍNEAS ALBIÉS (6) MAITE CAJARAVILLE (6) MARTINKA BOBRIKOVA (6) TAKA FERNÁNDEZ (6) ANGELA MONGE (5) CLARA LEÓN (5) EDUARDO CORRALES (5) GEMA SEGURA (5) KJELL VARVIN (5) MIRALDA (5) OSCAR DE CARMEN (5) PEPE PUJOL (5) PLANCTON (5) VIC SNAKE (5) ALEXANDER RÍOS (4) ANA PESCLÁN (4) CARLOS MÍNGUEZ (4) EHRIOR SANABRIA (4) EMILIEN GIREAU (4) FUKE P (4) GORO SHIMANO (4) JD LEFELMAN (4) JEFFREY HARRIS (4) JUAN CALVI (4) KHOSRO KHOSRAVI (4) MARIO GUTIÉRREZ CRU (4) PONTUS KYANDER (4) ROCÍO CAÑERO (4) ANA GONZÁLEZ (3) BALDO MARTÍNEZ (3) CHRISTOPHER KLINE (3) GANDOOLA (3) JUAN GARCÍA PERROTE (3) LEFT HAND ROTATION (3) MARIO SARRAMIÁN (3) MARÍA NIEVES (3) PABLO MARTÍN COBLE (3) PABLO PADILLA (3) PILAR GONZÁLEZ ESPAÑA (3) POR FAVOR (3) RAMON SANMIQUEL (3) SERGIO FERNÁNDEZ (3) SHAHPARI BEHZADI (3) SHIRAZ RANDERÍA (3) TEREZA ERBENOVÁ (3) VICTOR TRONIC (3) VÍCTOR PALOMO (3) YANIRA (3) ABEL AZCONA (2) ALKISTIS ATHANASIADOU (2) BLUUSA BLUU (2) CASS (2) GERARDO R VELARDE (2) GREGORIO APESTEGUÍA (2) JOHN MURPHY (2) MANUEL MONTESERÍN (2) MARIO LA ROSARIO (2) MARTÍN GUERRERO (2) MAURI CELESTE (2) MENINAS CARTONERAS (2) MERILU (2) MILJENKA SEPIC (2) NIKÉ NAGY (2) NIÑA JONAS (2) RAFA MARCOS (2) RAQUEL MORENO (2) SAÚL MARTÍNEZ (2) STANO CERNY (2) SUSANA GO (2) TONY Z (2) UAFC (2) ALFREDO CÁLIZ (1) ANDREAS FORTES (1) ANN-CATHRIN HERTLING (1) BOSTANOVA (1) CHICASTUERCA (1) DAVE BULL (1) HELENA HOLMBERG (1) IBAN GONZALEZ (1) JOSECHU DÁVILA (1) JOSÉ SAINZ (1) JUAN CRECK (1) KENGURAVINCA (1) LUTZ RAINER MUELLER (1) MANOLO CALVO (1) MARKUS LANTTO (1) MATHIAS SAMUELSEN (1) MIZ METRO (1) NATALIA PÉREZ GALDÓS (1) ORQUESTA PRIMERA LUZ DEL DÍA (1) PABLO BERZAL (1) PATALETA (1) PER FORMO (1) SOFIE LUND (1) STIAN ADLANDSVIK (1) SYLVAIN CHERKAOUI (1) TANIA ARIAS (1) TIRSO ORIVE (1) TORHILD AUKAN (1) VAKTMESTER MANDAL (1) ØYVIND BRANDTSEGG (1)

SED

SED

SORROW

SORROW
ART SERIES 135

ARTISTS

Marisa Caminos, Paula Lloveras, Tomoto, María Enríquez, Paul Doeman, Krapoola, Hectruso, Federico Gómez, Manuel Maqueda, Toño Camuñas, Regina Fiz, Sebas Beyro, Fredrik Lund, Sinquenza, Claude Chuzel, Yrealydad, Eduardo Cajal, Juan Barte, Pol Parrhesia, Thomassin, Yan Nazca, Jonay Pmatos, Javier Pérez Aranda, Limber Vilorio, Roberto Equisoain, Lucia C Pino, Francisco Mateos, Luis García Gil, Monoperro, Rubén Bonet, Giuseppe Zamora, Axel Di Chiappari, Omar Jerez, Hombre_u, Miguel Guzman, Anamusma, Luis Padreda, Ana Matey, Carlos Llavata, Jesús Andrés, Rafafans, Jesús León, Maite Dono, Andrés Montes, Elise Plain, Luján Marcos, Tomoharu Peña, Danino Bozic, Yaky Bonacic-Doric, Alfonsina Ramírez, Heather Passmore, Pablo Esplá, Ruben Lorenzo, Ángeles Castro, Sabine Felden, Alfonso García del Rey, Ho Wai Fong, Luis Fores, Susan Campos, Alfred Zorrita, Angela León, Esther Revuelta, Françoise Rohmer, Líneas Albiés, Maite Cajaraville, Martinka Bobrikova, Taka Fernández, Angela Monge, Clara León, Eduardo Corrales, Gema Segura, Kjell Varvin, Miralda, Oscar De Carmen, Pepe Pujol, Plancton, Vic Snake, Alexander Ríos, Ana Pesclán, Carlos Mínguez, Ehrior Sanabria, Emilien Gireau, Fuke P, Goro Shimano, Jd Lefelman, Jeffrey Harris, Juan Calvi, Khosro Khosravi, Mario Gutiérrez Cru, Pontus Kyander, Rocío Cañero, Ana González, Baldo Martínez, Christopher Kline, Gandoola, Juan García Perrote, Left Hand Rotation, Mario Sarramián, María Nieves, Pablo Martín Coble, Pablo Padilla, Pilar González España, Por Favor, Ramon Sanmiquel, Sergio Fernández, Shahpari Behzadi, Shiraz Randería, Tereza Erbenová, Victor Tronic, Víctor Palomo, Yanira, Abel Azcona, Alkistis Athanasiadou, Bluusa Bluu, Cass, Gerardo R Velarde, Gregorio Apesteguía, John Murphy, Manuel Monteserín, Mario La Rosario, Martín Guerrero, Mauri Celeste, Meninas Cartoneras, Merilu, Miljenka Sepic, Niké Nagy, Niña Jonas, Rafa Marcos, Raquel Moreno, Saúl Martínez, Stano Cerny, Susana Go, Tony Z, Uafc, Alfredo Cáliz, Andreas Fortes, Ann-Cathrin Hertling, Bostanova, Chicastuerca, Dave Bull, Helena Holmberg, Iban Gonzalez, Josechu Dávila, José Sainz, Juan Creck, Kenguravinca, Lutz Rainer Mueller, Manolo Calvo, Markus Lantto, Mathias Samuelsen, Miz Metro, Natalia Pérez Galdós, Orquesta Primera Luz del Día, Pablo Berzal, Pataleta, Per Formo, Sofie Lund, Stian Adlandsvik, Sylvain Cherkaoui, Tania Arias, Tirso Orive, Torhild Aukan, Vaktmester Mandal, Øyvind Brandtsegg

LOST ROCKS

LOST ROCKS
ART SERIES 160 LAPIEZA1866 1901

MEESTERS

MEESTERS
ART SERIES 159 LAPIEZA 1636 1865

LAPIEZA #1500 ART SERIES #130

LAPIEZA #1500 ART SERIES #130
UNSTABLE LOVE SERIES

ART SERIES 141 142

ART SERIES 141 142
RADIANCE 2023

LA LUZ EN CÁDIZ

LA LUZ EN CÁDIZ
2023 2024

SOLITUDE

SOLITUDE
SUMMER 2022

ARTNATIONS

ARTNATIONS
1001 1100

BASAL

BASAL

PRIME FACTORS

PRIME FACTORS
ART SERIES 146 147 148 WINTER 2023

LAPIEZA 001 TOMOTO 2009

LAPIEZA 001 TOMOTO 2009

LAPIEZA 601 > 800

601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 637 639 640 641 643 644 645 646 647 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739 740 741 742 743 744 745 746 747 748 749 750 751 752 753 754 755 756 757 758 759 760 761 762 763 764 765 766 767 768 769 770 771 772 773 774 775 776 777 778 779 780 781 782 783 784 785 786 787 788 789 790 791 792 793 794 795 796 797 798 799 800

READ THE CONCEPT

READ THE CONCEPT

120

120

MEMORIA GRÁFICA Y TEXTUAL DE LA INSTALACIÓN RELACIONAL EXPANSIVA

  • EXHIBITION #75 THE WORD /////////////////////// 1000 //////////////
  • EXHIBITION #74 WILD FLOWERS :::::::::::::::::::::::::::::
  • EXHIBTION #73 EXFOLIATION /////////////////////////7
  • EXHIBITION #72 ///////////////// INCISIONES Y DISECCIONES
  • EXHIBITION # 71 SWEETCORN BRUTALISM ========================
  • ART SERIES #70:::::::::::::::::::::BUTTER FACTORY::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::MADRID NORWAY CÁDIZ MEXICO FRANCE CASTILLA BERLIN DOMINICANA CROATIA__________________________SPREAD::::::::::::::::::::::::::::::::::::::::::02.2015
  • # 69 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ZERO ZERO::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::2014 ------- OAXACA LONDON MEXICO CROATIA MADRID OSLO PARIS TRONDHEIM
  • EL INTRUSO | BANDA SONORA - 2009 | 2014
  • #68 THICK SMOKE
  • #67 BANK ACCOUNT _________ MEXICO MADRID LONDON CROATIA FRANCE LISBOA OSLO _______________GALAXY SYSTEM 11.2014
  • MAGAZINE
  • #66 | AERIAL ROOTS | 10.2014 ____________BERLIN MADRID PROVENCE BARCELONA PARIS TRONDHEIM NOVIGRAD LIMA ____VISIBLE STRUCTURES::::
  • #65 | NAKED EYE
  • #64 | SUGAR SUNSET
  • ART SERIES #63 | FRESH MUSEUM | 08.2014 ++++++++++++++ PINK SMOKE *************************
  • #62 | STRUCTURAL CONVERSATIONS NORWAY | FROZEN HEAT SATELLITES | LLLL ART AGENCY
  • ART SERIES #61 | ENSAYOS POSICIONALES | NADAMOS EN TODAS LAS DIRECCIONES - EL MAPA ES SENTIDO - MADRID 2014
  • ART SERIES #60 | GOMA - MADRID 2014 - DE LA ELASTICIDAD EMOCIONAL DIARIA Y LA ESCALA DEL DOLOR
  • ART SERIES #59 | ANTORCHA - MADRID 2014 - DEL ESPLENDOR FLOTANTE Y EL REVELADO SÚBITO
  • ART SERIES #58 | NOWHERE - MEXICO DF MADRID - PAISAJES DISPERSOS - 2013
  • ART SERIES #57 | KISS - MEXICO DF MADRID BERLIN PARIS 2013 ____________TRANSICIONES ORGÁNICAS
  • ART SERIES #56 | NETA - MEXICO DF - DE LOS HERMOSOS ANIMALES URBANOS Y OTROS AFECTOS
  • ART SERIES #55 | EXPANSIVO - MADRID MEXICO 2013 - BASE CONTINGENTE
  • ART SERIES #54 | SYSTEM - MADRID MEXICO DF 2013 - DE SOMBRAS, ARTIFICIOS, PUÑALADAS Y AMANECERES RADIANTES
  • LAPIEZA as an Open Socioplastic Composition * The Unstable Installation Series represents an expansive relational symphony that redefined the boundaries of spatial intervention between 2009 and 2019. Characterized as an unstable and dispersed installation, this decade-long exploration prioritized fluid connections and unpredictable interactions over static form, challenging traditional notions of architectural permanence. The conceptual roots of this journey are anchored in the LaPieza Archive, which documents the shift from isolated objects to systemic environments, accessible at https://lapiezalapieza.blogspot.com/p/lapieza-archive-20092025-exhibition.html. By operating as a dispersed network, the series allowed for a multi-layered dialogue between the viewer and the site, eventually feeding into the more structured Socioplastics framework visible in the Project Index at https://antolloveras.blogspot.com/p/socioplastics-project-index.html. This period functioned as a critical laboratory for testing the socio-technical dynamics that would later define the CoreLayer research at https://doi.org/10.5281/zenodo.19162689. The transition from the dispersed instability of 2009 to the systematized knowledge of 2019 is further reflected in the academic tracking at https://orcid.org/0009-0009-9820-3319 and the comprehensive indexing found within the FieldAccess records at https://socioplastics.blogspot.com/2026/04/master-index-socioplastics-tomes-i-ii.html. Through this expansive symphony, the project successfully mapped the tension between chaos and order, laying the groundwork for the century-scale projections detailed at https://antolloveras.blogspot.com/2026/04/socioplastic-century-pack-2100-book-021.html.
  • LAPIEZA as Socioplastic Form * Fluido Rosa
  • > 2010
  • > 2011
  • > 2012
  • > 2013
  • Socioplastics by AntoLloveras is a multifaceted field architecture project that organizes extensive research and artistic output through a structured digital ecosystem.

LAPIEZA 1000 LLOVERAS 2016

LAPIEZA 1000 LLOVERAS 2016

LAPIEZA | 401 > 600

401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 517 518 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600

136

136
RELIEVE

LAPIEZA | 001 > 200

001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 027 028 029 030 031 032 033 034 035 036 037 038 039 040 041 042 043 044 045 046 047 048 049 050 051 052 053 054 055 056 057 058 059 060 061 062 063 064 065 066 067 068 069 070 071 072 073 074 075 076 077 078 079 080 081 082 083 084 085 086 087 088 089 090 091 092 093 094 095 096 097 098 099 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 197 198 199 200

LAPIEZA | 201 > 400

201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400

CORE IX

Core IX * Situational Core closes Tome V at the 5000-node threshold. Its ten nodes gather the operational passage from accumulated corpus to field condition: situated knowledge, urban estrangement, climatic obligation, screen ethics, exhibition residue, prompt cultivation, image metabolism, junk fertility, contextual readymades and the final fixer-object as perceptual adjustment. What appears here is not a decorative ending but a stabilization device: a compact situational engine where practice, archive, city and machine legibility become one usable field. →
CORE IX — SITUATIONAL CORE — LINKS
5000   ★ SituationalFixer
4999   ★ KnowledgeFriction
4998   ★ XenoCity
4997   ★ ContextReadymade
4996   ★ CanopyMandate
4995   ★ PromptGarden
4994   ★ ExhibitionSurplus
4993   ★ ImageCompost
4992   ★ ScreenEthics
4991   ★ JunkSeed

HITS

ART SERIES 173 STONE DREAM * March–April 2025

ART SERIES 173 STONE DREAM * March–April 2025
A quiet unfolding at the cusp of seasons — between winter’s weight and spring’s breath. No announcement, no spectacle. Just stones placed with care, lemons left in soft shadows, a salad eaten under open sky. This is relational minimalism: a choreography of presence, attention, and the unnoticed. Each act — a trace. Each object — a silent anchor. Photography, installations, vehicles, texts, rituals. A living archive of what rests and what vanishes. Art here doesn’t shout — it listens, hosts, remembers. Fifteen fragments. One rhythm.

EXFOLIATION

EXFOLIATION
73

COPOS

COPOS
ART SERIES 158 LAPIEZA 1824 1835

Threads of Meaning ______ The Emotional, Political, and Healing

Threads of Meaning ______ The Emotional, Political, and Healing
GUIMARAES BIENNIAL

ART SERIES 162

ART SERIES 162
LA LUZ EN CADIZ

152

152
TRA(D)ICIONES

ART SERIES 161

ART SERIES 161
CONFETTI 1902 1932

STATEMENTS AND NARRATIVES

CRÍTICA

LA NETA MEXICO

LA NETA MEXICO
ART SERIES 056

ART SERIES 139 SUMMER 2023

ART SERIES 139 SUMMER 2023
VOYAGE VOYAGE

LOOP

LOOP
SUMMER 2023

La exploración de las formas de vida en común


Usaremos toda la infraestructura que nos habilita esta red para generar los vínculos necesarios para generar una escultura social (Beuys, Zizek, Bourriaud, Russell). Tenemos la visión y la responsabilidad desde las prácticas relacionales (arte conceptual político) de incrementar la fuerza de los vínculos a través de las plataformas red, elevando los capitales simbólicos de valores humanistas en una sociedad cada vez más definida por los capitales mercancía derivados de los sistemas abstractos post-industriales. El vector que seguimos desde el 2009 (UNA DÉCADA) es una línea de trabajo e investigación que denominamos SOCIOPLÁSTICA ACTIVA. Una forma de trabajo que incluye no solo la selección y comisariado de los artistas y de su obra (textos e imágenes), sino la generación de relaciones visibles en exposiciones en red, donde la obra de los artistas trabaja de manera conjunta, en una forma híbrida entre las exposiciones de los museos (alta legitimación), las exposiciones en las galerías de arte (arte-mercancía; media legitimación) y la difusión masiva a través de redes sociales (formas emergentes) donde el valor de la obra se mide por su calidad directa, y por la redifusión masiva de los usuarios sin costes de instalación en sala. Las exposiciones de LAPIEZA han sido consumidas y difundidas por más de un millón de personas en red desde 2009. El marco y la obra se funden en un marco híbrido, que explora la calidad actual de las formas publicitarias no solo de los museos y las instituciones, sino las prácticas artísticas en cada foco de exploración. Metodología de interacción. Los artistas que construyen LAPIEZA tienen orígenes y legitimaciones dispares, por lo que su interrelación activa mecanismos de extrañamiento y deseo. Hay artistas emergentes (desconocidos, o periféricos a espacios de legitimación ortodoxos) y artistas con trayectoria, que funcionan como catalizadores. Se encuadran bien en lo que se ha dado en llamar “ecologías culturales”. Se trata de proyectos que articulan la producción de imágenes, textos o sonidos, con la exploración de las formas de vida en común, en principio renunciando a la producción de objetos artísticos convencionales, para iniciar o intensificar procesos abiertos de conversación e interacción que involucren a los artistas a través del nuevo y transformador vínculo generado. La importancia de la sinergia y la publicidad en el proceso creativo.

LAPIEZA #1700 ART SERIES 145

LAPIEZA #1700 ART SERIES 145
NATURE BOY

THICK SMOKE

THICK SMOKE

POSITIONAL ESSAYS / LAPIEZA SERIES # 61 - 2014

POSITIONAL ESSAYS / LAPIEZA SERIES # 61 - 2014

TP7

TP7
CONGRESO LUGO

133

133
DEEP SLEEP

EXPOSICIONES | EXHIBITIONS

01 EXIT (18) 02 BAZAR (14) 03 MOSCA (16) 04 KIWI (22) 05 SOCIOPLASTICS (29) 06 SALES (31) 07 FIRE (28) 08 BALL (39) 09 PAN (35) 10 FASTFORWARD (36) 11 SUPERMARKET (28) 12 PLAYTIME (35) 13 MASA (25) 14 PULPA (33) 15 SAMBA (22) 16 DERIVA (21) 17 DESIERTO (35) 18 FAMILY (20) 19 OCÉANO (17) 20 GALAXIA (13) 21 BONUS (22) 22 TRIP (16) 23 NATURALISM (17) 24 POWER (18) 25 HOLE (20) 26 DESHIELO (17) 27 MISERIA (22) 28 GLAM (23) 29 GLOW (22) 30 EMPTY (25) 31 UNSTABLE (27) 32 MOTION (40) 33 GEOMETRY (41) 34 PROGRESSION (24) 35 TRACA (27) 36 GANGA (31) 37 RADICAL (23) 38 FRAME (19) 39 CLOUD (33) 40 PHANTOM (24) 41 SNOW (26) 42 TRANSLATION (30) 43 MUD (17) 44 BABYLON (23) 45 FUGAZ (16) 46 GLITTER (23) 47 COCKTAIL (22) 48 PARTY (21) 49 COSMOTIDIANO (26) 50 SED (13) 51 BULLET (18) 52 VULCANO (15) 53 DESEO (17) 54 SYSTEM (12) 55 EXPANSIVO (13) 56 NETA (15) 57 KISS (15) 58 NOWHERE (14) 59 ANTORCHA (14) 60 GOMA (14) 61 ENSAYOS POSICIONALES (13) 62 STRUCTURAL CONVERSATIONS (17) 63 FRESH MUSEUM (31) 64 SUGAR SUNSET (12) 65 NAKED EYE (12) 66 AERIAL ROOTS (13) 67 BANK ACCOUNT (9) 68 THICK SMOKE (13) 69 ZERO ZERO (10) 70 BUTTER FACTORY (9) 71 SWEET CORN BRUTALISM (14) 72 PERIODICAL INCISIONS AND DISSECTIONS (7) 73 EXFOLIATION (10) 74 WILD FLOWERS (10) 75 THE WORD (7) 76 MELAZA (1) 77 POMPA 1011 (1) 78 IDIOM (1) 79 READY (1) 80 CONCEPT (1) 81 SUCK (1) 82 PALMTREE (1) 83 FICUS (1) 84 WISTERIA (1) 85 LIPS (1)

3X3X3X3X3 ARTNATION ///////// FLOCK ARTISTS

avis Birks, E. B. Itso, Miren Doiz, Wolfgang Laib, Ann Hamilton, David Hammons, Li Wei, Vera Kox, Magali Reus, Pascal Broccolichi, Benjamin Sabatier, Ryan Gander, Elena Damiani, Nicole Wermers, Lucas Blalock, Daniel Buren, Ava Bernardine, Jimmy Robert, Jason Dodge, Vincent Fecteau, Hecdwin Carreño, Haegue Yang, Megan Rooney, Grace Schwindt, Maya Otsoko, Bad Bunny, Carol Bove, Li Songsong, Paolo Icaro, Ken Kelleher, G_RRR, Hectruso, Rubén Bonet, Thomas Vanlinge, Richard Hughes, Sean Scully, Elias Hansen, Gedi Sibony, Nadia Rose, Stéphane Thidet, David Hominal, Erica Mahinay, Laurence Carroll, Kieran Leach, Ashley Olah, Marcin Dudek, Mell, Ciro Duclos, Ben Quilty, Wayne Thiebaud, Katy Luise, Sasponella, Noah Verrier, Polina Osipova, 01SS1, Zhiyong Jing, Layana, Thundergirl, Alex Israel, Sterling Ruby, Liz Markus, Casey Richardson, Sam3, Yngve Holen, Alexandra January, Jeremy Everett, Anastasia Kolesnichenko, Hannah Levy, Kaari Upson, Mia Buckton, Nina Canell, John Gelper, Joël Andrianomearisoa, Erika Lee Sears, Charlotte Thrane, Wilhelm Sasnal, Sherman, Michael Zelehoski, Phib, Daniel Boccato, Davide Allieri, Gabriela Pelczarska, Nitsan Raiter, Mei Yue, Poppy Janelee, Leyla Aydoslu, Violet Dennison, Kallen Mikel, Adam Cruces, Floguan, Millie Steele, Jonny Paul Gillette, Lena Henke, Oso Parado, David Deweerdt, Park Hyunki, Tony Matelli, Richie Culver, Blair Thurman, Lawrence Abu Hamdan, Ben Duggan, Katharina Grosse, Charles Harlan, Andre Komatsu, Umut Yasat, Rutger de Vries, Robert Therrien, Prem Sahib, Michael Sailstorfer, Sara Tagaloa, Michael Johansson, Ad Minoliti, Gabriel Rico, Matt Calderwood, David Lamelas, Francesco Arena, Denim Destroyer, Louis Rubi, Ugo Rondinone, Sirous Namazi, Cyprien Gaillard, Alicja Kwade, Gertrude Platscheck, Ava Bernardine, Zhang Xiaogang, Mark Tennant, Urs Fischer, Eva Stenram, Shalvan Ikvashvili, Lynda Benglis, Salman Toor, Anselm Kiefer, Michael Sailstorfer, Shan Hur, Bashir Sultani, Misko, Quentin Deronzier, Aerika Bergstrom, Elle Britz, Anna Bazsik, Howard Schwartzberg, Françoise Vanneraud, Gohar Dashti, Mike Ballard, Anna Betbeze, JM Oliveira, Balam Bartolomé, Greta Ilieva, Wayne Horse, Julia Soboleva, Adriana Varejão, Kennedy Yanko, Arielle Bobb-Willis, Chantal Convertini, Chris Rhodes, Xavier Veilhan, Chen Fei, Senga Nengudi, Julian Charrière, Corey Klampp, John McKie, Mike Nelson, Nicola Matear, Francesco Arena, Zhanna Kadyrova, Moni Haworth, Jonathan Jones, Saskia de Brauw, Ben Zank, Martine Gutierrez, Carlos Darder, Nicolás Lamas, John Armleder, Melanie Arnold, Veronika Moos, Sin Sing, Nathaniel Robinson, Ophelia Finke, Julia Gault, Túlio Pinto, Delfina Carmona, Mari Katayama, Jill Mulleady, Matias Faldbakken, Charlotte Posenenske, Daniel Turner, Andra Ursuța, Annette Messager, Alexis Zambrano, Tyreek Winston, Sandra Sauceda, Cheri, Quentin Monge, Valerio Olgiati, Raphaela Vogel, Michael Weisskoeppel, Laurence de Leersnyder, Jens Wortmann, Paul Lee, John Divola, Megan Rooney, Jeff Muhs, Krista VanDerNiet, Li Hui, Chiharu Shiota, Maly Bretislav, Todd Robinson, Spike Dennis, Vincent Namatjira, Kajde Ojo, Koji Ryui, Donald Martiny, Brina Novara, Ruth Campau, Cyril Lancelin, Sofia Lenag, Raffi Kalenderian, Mickalene Thomas, Lisa Brice, Jen Aitken, Derrick Adams, Deborah Anzinger, Amy Sherald, David Kennedy Cutler, David Nash, Gabriel Sierra, Kim Inbae, Pablo Accinelli, Peter Anton, Joanna Piotrowska, Gina Beavers, Alex Farrar, Veit Stratmann, Richie Culver, Ann Green Kelly, Theaster Gates, Roeland Tweelinckx, Anuel Cornelius, Kathy Temin, Michele Mathison, Tom Putnam, Malte Bartsch, Rose Nestler

SERIES 62 / FRESH MUSEUM / 2015

SERIES 62 / FRESH MUSEUM / 2015

ART SERIES 163

ART SERIES 163
PSICAMB 2025

EXHIBITION 007

TAR

TAR
ART SERIES 143 144

PAST