TWINS - OSLO - AntoLloveras

 TWINS 

ART BY TOMOTO

:

UNSTABLE INSTALLATION SERIES

CONVERSATION WITH FREDRIK LUND | OSLO > TRONDHEIM

We walk randomly around the center of Oslo, we transit through gorgeous architectural scenarios. The center of the Norwegian artscene shows a mixture of romanticism and ratioanalism. We stop at Litterturhuset for a coffee, lots of smiles and people enjoying great food. We walk up the hill to check The Vigeland park and down again to visit the museum of architecture designed by Sverre Fehn, the only norwegian pritzker Price.

We walk around models and installations, where cool emerging norwegian architects under 40 show their latest ideas. Fredrik Lund was twice represented in this show, before he reached his forties, a unique case. We walk the streets again buying ice creams and sparkling water, walking along the Oslo government buildings and arrived at the harbor, next to the Snøhetta studio. We smoke by the water and talk about the current works.

A day later, we are travelling together across the country, passing mythical mountains, and stopping for dinner at the most traditional restaurants, tasting the moose and deer burgers by the national road, across the great park of Rondane. The dinner saloon is very old fashioned, we sit surrounded by stuffed weasels. As we leave the area, we stop briefly at the concrete architecture by his colleague Carl-Viggo Holmebakk, and catch the amazing views to the mountains we will soon be crossing.

Already in the city of Trondheim, we visit Fredriks artist's atelier at the NTNU, here he developes his professorship in architectural teachings, teaching as art. We know Fredrik now for ten years. Fredrik loves to visit Madrid, and to spend hours at the Reina Sofia Museum, studying the spanish and american masters in abstractions from the sixties. We have travelled to Cuenca together, where there is also a great collection of Spanish abstract painters, all surrounded by amazing landscapes, Fredriks main inspiration for his art. The fresh air and the view.

Just by framing the view the whole architectural concept has started, and that is the potential of the architecture of Lund, the empathy with the surroundings and the absolute control of the human activity that will happen inside the wooden walls. We are now ready to make dinner, another daily ritual, where Fredrik acts as guardian of the wonders of hot potatoes with butter and several fresh fish on a warm pan. While we eat in silence, we understand the ritual.

This conversation is part of the STRUCTURAL BASIS of FROZEN HEAT,

ONLINE ARTSHOWS (2014-2015) upcoming art series curated by LLLL

as satellites of LAPIEZA ART SERIES.

https://www.facebook.com/events/1425318387683929/?ref_newsfeed_story_type=regularhttps://www.facebook.com/PAULALLOVERAS/media_set?set=a.10151193813178077.481416.784313076&type=3

http://studiofredriklund.blogspot.no/
http://www.kunstnerneshus.no/kunst/
http://www.litteraturhuset.no/
http://www.vigeland.museum.no/en/vigeland-park
http://www.nasjonalmuseet.no/en/
https://www.facebook.com/pages/Sverre-Fehn/382608751854928
http://www.pritzkerprize.com/
http://nasjonalmuseet.no/en/?module=EventCalendar%3Baction%3DEvent.publicOpen%3BID%3D1510&template=exhibitionView_en
http://snohetta.com/
http://www.rondane-dovrefjell.no/steder/reisemal/
http://www.holmebakk.no/sohlbergplassen/photos.html
http://www.museoreinasofia.es/
http://www.march.es/arte/cuenca/coleccion/artistas/gerardo-rueda.aspx
http://www.ntnu.no/ansatte/fredrik.lund

RELATED VITAMIN 026 (II/-) 

El carpintero toma las medidas para puertas y ventanas, y aparecen todos los demás y miden y van a su taller y trabajan. Y luego el campesino remueve un gran perol con cal y hace la casa de un hermoso blanco. Conserva, sin embargo, la brocha, pues por la pascua del año que viene volverá a necesitarla. Él ha querido levantar una casa para sí y para los suyos y para su ganado, y lo ha logrado. Igual que pudo su vecino o su bisabuelo. Como puede cualquier animal que se deja llevar por sus instintos. ¿Es la casa hermosa? Sí, tan hermosa como lo son la rosa o el cardo, el caballo o la vaca. Y, vuelvo a preguntar: ¿por qué un arquitecto, tanto el bueno como el malo, deshonra el lago? El arquitecto no tiene, como casi ningún habitante de la ciudad, cultura alguna. Le falta la seguridad del campesino, que posee cultura. El habitante de la ciudades un desarraigado. Llamo cultura a aquel equilibrio de la persona interior y exterior, lo único que posibilita un pensar y un actuar razonable. Hasta ahora, la historia de la humanidad no contaba con ningún período falto de cultura. Pero entonces aparecieron falsos profetas. Dijeron: qué fea y qué triste es nuestra vida. Y lo reunieron todo de todas las culturas, lo expusieron en museos y dijeron: mirad, eso es belleza, pero vosotros vivís en una deplorable fealdad. Ahí había muebles que eran como casas, llenos de columnas y molduras, ahí había terciopelo y seda. Ahí había, sobre todo, ornamentos.

Adolf Loos
Escritos sobre la casa
1911-1930
https://www.facebook.com/pages/Adolf-Loos/109293425757058?fref=ts

Anto Lloveras Lapieza Relational Art Series Marisa Caminos Adolf Loos Fakultet for arkitektur og billedkunst

  — con Fredrik Lund, Anto Lloveras, Lapieza Relational Art Series y Marisa Caminos.

LEMONS AND OTHER FRIENDS________KJELL VARVIN------------------------956---------------EXFOLIATION 2015

VARIABLES (3) KJELL VARVIN ----------------------------------------------------------------------------------------------------- OSLO 2015

VARIABLES (2) KJELL VARVIN : OSLO : NORWAY______________#901 ZERO ZERO --- 2014

TRONDHEIM ARTCENTERS | 2013 - TSSK BLUNK RAKE

TSSK - EDVINE LARSSEN - THIS IS NOT A THEATER

LLLL ART AGENCY 
AT 
TSSK 
EDVINE LARSSEN 

THIS IS NOT A THEATER
THIS IS NOT ARCHITECTURE
IT IS A SITE SPECIFIC INSTALLATION
BY EDVINE LARSSEN FOR TSSK

http://www.samtidskunst.no/events/edvine-larssen-unforgettable-vision-of-darkness/
http://www.sjobygda.no/project/edvine-larssen/

VITAMIN 002 (I/-)

If space-junk is the human debris that litters the universe, junk-space is the residue mankind leaves on the planet. The built (more about that later) product of modernization is not modern architecture but Junkspace. Junkspace is what remains after modernization has run its course or, more precisely, what coagulates while modernization is in progress, its fall-out. Modernization had a rational program: to share the blessings of science, universally. Junkspace is its apotheosis, or meltdown... Although its individual parts are the outcome of brilliant inventions, lucidly planned by human intelligence, boosted by infinite computation, their sum spells the end of Enlightenment, its resurrection as farce, a low-grade purgatory... Junkspace is the sum total of our current achievement; we have built more than all previous generations together, but somehow we do not register on the same scales. We do not leave pyramids. According to a new gospel of ugliness, there is already more Junkspace under construction in the 21st century than survived from the 20th...

Rem Koolhaas JUNKSPACE

Rem Koolhaas is the founder and director of the Office for Metropolitan Architecture (OMA), a Rotterdam based firm concerned with contemporary architecture and urbanism. Since 1975 OMA has been involved in numerous projects ranging from private residences to large scale urban planning. As a result of several projects, notably the Villa dall'Ava overlooking the Eiffel Tower, Nexus Housing, and the planning of Euralille, a business and civic center hosting the major high speed train hub in the north of France, OMA has had an enormous impact on contemporary architecture and urban issues throughout the world. In the 21st century OMA is active throughout Europe and the United States including a series of museum projects. OMA has a branch in New York and an associated office in Hong Kong, OMA Asia. A new branch, AMO, has been established with a primary focus on research. AMO will collect forces from media, finance, technology and art to consult in the architectural thinking where strategy and concept have a higher importance than realisation.

https://www.facebook.com/OMA.AMO?fref=ts

Paula Lloveras Lapieza Relational Art Series Marisa Caminos Edvine Larssen Trøndelag senter for samtidskunst OMA Fakultet for arkitektur og billedkunstAnto Lloveras

BLUNK - ANNIKA VILHELMSON - PERFECT CAMOUFLAGE

LLLL ART AGENCY
AT blunk
ANNIKA VILHELMSON
Annika Vilhelmson has installed a white piece in the white space. The piece is a piece of WHITE PAINTED WALL PAPER on the wall, white on white. Perfect camouflage in the first room. The WHITE PAINTED WALL PAPER jumps to the floor in the second room, showing the INVISIBLE trick. The installation is a wall-floor piece. We talk with the artist on site, quick interview and feed
Annika Vilhelmson is a swedish artist, from Stockholm.
Blunk is a student-artist run space with yearly open calls

http://www.annikavilhelmson.se/
http://www.galleriblunk.com/

RELATED VITAMIN 034 (IV/-) 
Al utilizar su televisor, sus 

libros, sus discos, el usuario de la cultura despliega así una retórica de prácticas y de "trampas" que se emparenta con una enunciación, un lenguaje mudo cuyas figuras y cuyos códigos es posible inventariar. A partir de la lengua que se le impone (el sistema de la producción), el locutor construye sus propias frases (los actos de la vida cotidiana), reapropiándose así de la última palabra de la cadena productiva mediante microbricolages clandestinos. La producción se torna pues "el léxico de una práctica', es decir, la materia mediadora a partir de la cual se articulan nuevos enunciados en lugar de representar un resultado cualquiera. Lo que realmente importa es lo que hacemos con los elementos puestos a nuestra disposición.

El uso de las formas
Nicholas Bourriaud
Postproducción
2000

https://www.facebook.com/nicolas.bourriaud.7
Anto Lloveras Lapieza Relational Art Series Marisa Caminos Galleri Blunk

  — con Anto Lloveras y Lapieza Relational Art Series.

RAKE 

LLLL Art Agency visiting all Art Centers in Trondheim - a basic task as curator is to know the real scene we move in. We are getting in the mood for the new Online Art Series - 2014 and 2015 Rake is an Artist Run Space that shows Contemporary Art, curated by Trygve Ohren and Charlotte Rostad. Last week we checked the work of Janna Thöle-Juul (DE) and Iselin Kleiva (NO) while having some wine and warming up by the fire. Nice talks with Artist Sissel Berg (NO), we visited in her Studio some months ago and Artist Brit Dyrnes (NO) at Ilsvika, who has already invited us to visit the Ilsvika Hub.

http://rake.trondheim.no/visningsrom/index.php?/projects/janna-thoele-juul-and-iselin-kleiva/

http://www.sisselmbergh.net/

http://www.britdyrnes.com/

http://atelierilsvika.no/

CONVERSATION WIH STIAN AND LUTZ | OSLO

Each piece is the result of the setup and the desire of exploring the art-game

LLLL ART AGENCY | OSLO
CONVERSATION WIH STIAN AND LUTZ
Grünerløkka - ARTIST RUN SPACE  

Stian and Lutz are artists. They both develope artworks on their own and have a series of pieces that come out form their active conversations. These CONVERSATION pieces are artworks they produce as duo, and come from the active collision and carving on the idea they start upon. The formal result is unstable, the process idea rules the game they play as storytellers. Each piece is the result of the setup and the desire of exploring the art-gamehttp://www.stianadlandsvik.net/
http://lutzrainermueller.com/
http://en.wikipedia.org/wiki/Grünerløkka

The conversation is part of the STRUCTURAL BASIS of FROZEN HEAT,
ONLINE ARTSHOWS (2014-2015) upcoming art series curated by LLLL
as satellites of LAPIEZA ART SERIES.

 — en Oslo, Norwaycon Stian Ådlandsvik, Anto Lloveras y Lapieza Relational Art Series.