Mostrando entradas con la etiqueta LLLL ART AGENCY. Mostrar todas las entradas
Mostrando entradas con la etiqueta LLLL ART AGENCY. Mostrar todas las entradas

OBJETOS DINÁMICOS | LLLL #819


LLLL ART AGENCY presenta un concepto híbrido y en red. 
La ciudad como instalación total y el objeto como partícula dinámica suficiente. Una nueva serie de VIDEOESCULTURAS que representan el concepto inestable. 

El cuerpo de Paula Lloveras, TOMOTO FILMS, con la música de El intruso. En reestreno contante en la red.

BANANA 
BLANCA
AGUJERO
CHAIR
CONO

DM
DOTS

LEGS
METAL
PORESPÁN
TUBO

WAR

RELATED VITAMIN 019 (III/-) 

No hay duda de que tales esquemas, ejemplos de una poesía moderna capaz de traer consigo vivas reacciones afectivas -en este caso la indignación de que se pueda vivir de esta forma- e incluso la teoría, avanzada por Burgess a propósito de Chicago, del reparto de las actividades sociales en zonas concéntricas definidas, tienen que servir al progreso de la deriva. El azar juega en la deriva un papel tanto más importante cuanto menos asentada esté todavía la observación psicogeográfica. Pero la acción del azar es naturalmente conservadora y tiende, en un nuevo marco, a reducir todo a la alternancia de un número limitado de variantes y al hábito. Al no ser el progreso más que la ruptura de alguno de los marcos en los que actúa el azar mediante la creación de nuevas condiciones más favorables a nuestros designios, se puede decir que los azares de la deriva son esencialmente diferentes de los del paseo, pero que se corre el riesgo de que los primeros atractivos psicogeográficos que se descubren fijen al sujeto o al grupo que deriva alrededor de nuevos ejes habituales, a los que todo les hace volver constantemente.
Teoría de la deriva  
Guy Debord 1958
Publicado en el # 6 de Internationale Situationiste (agosto, 1961). Traducción extraída de Internacional situacionista, vol. I: La realización del arte, Madrid, Literatura Gris, 1999.

https://www.facebook.com/pages/Guy-Ernest-Debord/14353419083?fref=ts
Anto Lloveras Lapieza Relational Art Series Marisa Caminos Guy Ernest Debord
   — con Lapieza Relational Art Series y Anto Lloveras.




OPENHOUSE EN ESPACIO NARANJO se postula como un encuentro entre espacios y proyectos culturales. Respondiendo a la constante necesidad de difusión el próximo 23 de noviembre abriremos las puertas del Espacio Naranjo para presentar una selección de iniciativas culturales independientes.





COPY PASTE SEND


01 TUBO

02 PORESPÁN
03 METAL
04 DOTS
05 WAR
06 CONO
07 LEGS
08 GUNS
09 CHAIR
10 DM

BAGS - LLLL - UNSTABLE INSTALLATION SERIES - 2014


https://www.youtube.com/watch?v=O_zMWP172so



https://www.youtube.com/watch?v=X2zuyThuLd8



STREET AS CANVAS
BODY WITH BAG AS UNSTABLE SCULPTURE

LL


https://www.youtube.com/watch?v=ioKTX3vO45I



RELATED ARTWORKS
>

MONOCROMÍAS
http://antolloveras.blogspot.de/2014/01/monocromias-endemicas-sintesis.html
DEEP BREATH
http://paulalloveras.blogspot.de/2014/01/deep-breath-llll-art-agency.html
COPOS
http://antolloveras.blogspot.com.es/p/copos-flakes-urba.html
OBJETOS DINÁMICOS
http://antolloveras.blogspot.com.es/2014/04/objetos-dinamicos-videoart-llll.html
BAG OF MANDARINES
http://paulalloveras.blogspot.com.es/2013/12/bag-of-mandarines-cosmotidiano-lapieza.html?spref=tw

FROZEN HEAT__________________ONLINE EXHIBITION SERIES____________SATELLITES::::::::::::2014---2015____SPAIN FRANCE UK CROATIA MEXICO NORWAY

The FROZEN HEAT idea is to generate 10 online art shows in the coming two years (2014-2015). The shows will be launched from NORWAY, including norwegian, spanish, croatian, french and mexican artists. The series work as a constellation of exhibitions, independent yet relational. Each show is build with 10 artworks.




FUNDAMENTS 

The online art shows are part of a complex and unstable process art show that involves more than 100 artists. During three years LAPIEZA was a hybrid between an arist-run-space and an art gallery. LAPIEZA ART SERIES has presented 58 exhibitions so far, with 750 numbered artworks. The structure builds itself with a progressive methodology, directed by Anto Lloveras, permanent curator of the series, and Paula LLoveras, partner now in scandinavia (as part of the LLLL art agency). The series will expand their base in 2014 to Norway, Croatia and France, where there will be local associate artists. We are already making contacts to build up the international art shows.

GOALS

There is a vision and need to enforce the culture-capital in the highly commercialized post-structural capitalist environment. The generation of bridges of new communication among artists around the world. The permanent exhibition in the internet of a complex and unstable art installation. The generation of an artistic form based on the real social networks of today. The intensification of the art scene online, where most of the people spend their time. The use of all media to enlarge the idea of the installation as social sculpture. The vector of all the series is the concept we work on : ACTIVE SOCIOPLASTICS. A new form and speed in the exhibition and publication of the artworks. The idea is to build a solid body of work for each artist in the series, while we are building the collective installation. Both form and frame mixed together to generate the evolution concept. These ideas are to be seen already online.

FORM

The series want to reach new audiences for art, using the social media as youth is now using as daily entertainment, placing art nutrients in the daily ration of consumed time online. The series are online-based. The idea is to evolute physical-shows to virtual shows, that can be seen faster and wider. The tools are always evolving and all data is transferred to the emerging databases. Each series present 10 artworks, the work of 10 artists. Every artwork is told in a text, in pictures and video. The artworks are numbered and the series have an evocative name to be remembered as part of the process. We combine artworks as a conceptual curatorial process. The reach of the project is international, distributing the focus of publishing in 5 nodes in the coming two years. The series were launched in Madrid, and have been very active in Mexico City in 2013. The idea is to generate new nodes in France, Croatia and Norway in 2014 and 2015.



FROZEN HEAT – ART SATELLITES - NORWAY
ONLINE RELATIONAL CONTEMPORARY ART EXHIBITIONS
ANTO LLOVERAS | PAULA LLOVERAS | LLLL ART AGENCY
LAPIEZA ART SERIES | TOMOTO FILMS
GMAIL . YOUTUBE . TWITTER . BLOGGER . FACEBOOK : ISSUU





Lecture at LKV Trondheim Norway 
Tuesday October the 22nd, at 11:45 am.





CONVERSATION WITH FREDRIK LUND | OSLO > TRONDHEIM



We walk randomly around the center of Oslo, we transit through gorgeous architectural scenarios. The center of the Norwegian artscene shows a mixture of romanticism and ratioanalism. We stop at Litterturhuset for a coffee, lots of smiles and people enjoying great food. We walk up the hill to check The Vigeland park and down again to visit the museum of architecture designed by Sverre Fehn, the only norwegian pritzker Price.

We walk around models and installations, where cool emerging norwegian architects under 40 show their latest ideas. Fredrik Lund was twice represented in this show, before he reached his forties, a unique case. We walk the streets again buying ice creams and sparkling water, walking along the Oslo government buildings and arrived at the harbor, next to the Snøhetta studio. We smoke by the water and talk about the current works.

A day later, we are travelling together across the country, passing mythical mountains, and stopping for dinner at the most traditional restaurants, tasting the moose and deer burgers by the national road, across the great park of Rondane. The dinner saloon is very old fashioned, we sit surrounded by stuffed weasels. As we leave the area, we stop briefly at the concrete architecture by his colleague Carl-Viggo Holmebakk, and catch the amazing views to the mountains we will soon be crossing.

Already in the city of Trondheim, we visit Fredriks artist's atelier at the NTNU, here he developes his professorship in architectural teachings, teaching as art. We know Fredrik now for ten years. Fredrik loves to visit Madrid, and to spend hours at the Reina Sofia Museum, studying the spanish and american masters in abstractions from the sixties. We have travelled to Cuenca together, where there is also a great collection of Spanish abstract painters, all surrounded by amazing landscapes, Fredriks main inspiration for his art. The fresh air and the view.

Just by framing the view the whole architectural concept has started, and that is the potential of the architecture of Lund, the empathy with the surroundings and the absolute control of the human activity that will happen inside the wooden walls. We are now ready to make dinner, another daily ritual, where Fredrik acts as guardian of the wonders of hot potatoes with butter and several fresh fish on a warm pan. While we eat in silence, we understand the ritual.

This conversation is part of the STRUCTURAL BASIS of FROZEN HEAT,
ONLINE ARTSHOWS (2014-2015) upcoming art series curated by LLLL
as satellites of LAPIEZA ART SERIES.


http://studiofredriklund.blogspot.no/
http://www.kunstnerneshus.no/kunst/
http://www.litteraturhuset.no/
http://www.vigeland.museum.no/en/vigeland-park
http://www.nasjonalmuseet.no/en/
https://www.facebook.com/pages/Sverre-Fehn/382608751854928
http://www.pritzkerprize.com/
http://nasjonalmuseet.no/en/?module=EventCalendar%3Baction%3DEvent.publicOpen%3BID%3D1510&template=exhibitionView_en
http://snohetta.com/
http://www.rondane-dovrefjell.no/steder/reisemal/
http://www.holmebakk.no/sohlbergplassen/photos.html
http://www.museoreinasofia.es/
http://www.march.es/arte/cuenca/coleccion/artistas/gerardo-rueda.aspx
http://www.ntnu.no/ansatte/fredrik.lund

RELATED VITAMIN 026 (II/-) 


El carpintero toma las medidas para puertas y ventanas, y aparecen todos los demás y miden y van a su taller y trabajan. Y luego el campesino remueve un gran perol con cal y hace la casa de un hermoso blanco. Conserva, sin embargo, la brocha, pues por la pascua del año que viene volverá a necesitarla. Él ha querido levantar una casa para sí y para los suyos y para su ganado, y lo ha logrado. Igual que pudo su vecino o su bisabuelo. Como puede cualquier animal que se deja llevar por sus instintos. ¿Es la casa hermosa? Sí, tan hermosa como lo son la rosa o el cardo, el caballo o la vaca. Y, vuelvo a preguntar: ¿por qué un arquitecto, tanto el bueno como el malo, deshonra el lago? El arquitecto no tiene, como casi ningún habitante de la ciudad, cultura alguna. Le falta la seguridad del campesino, que posee cultura. El habitante de la ciudades un desarraigado. Llamo cultura a aquel equilibrio de la persona interior y exterior, lo único que posibilita un pensar y un actuar razonable. Hasta ahora, la historia de la humanidad no contaba con ningún período falto de cultura. Pero entonces aparecieron falsos profetas. Dijeron: qué fea y qué triste es nuestra vida. Y lo reunieron todo de todas las culturas, lo expusieron en museos y dijeron: mirad, eso es belleza, pero vosotros vivís en una deplorable fealdad. Ahí había muebles que eran como casas, llenos de columnas y molduras, ahí había terciopelo y seda. Ahí había, sobre todo, ornamentos.

Adolf Loos
Escritos sobre la casa
1911-1930
https://www.facebook.com/pages/Adolf-Loos/109293425757058?fref=ts

Anto Lloveras Lapieza Relational Art Series Marisa Caminos Adolf Loos Fakultet for arkitektur og billedkunst
  — con Fredrik LundAnto LloverasLapieza Relational Art Series y Marisa Caminos.

SHOW #76 *****___________ 2017 ********************* MELAZA


1001 URBAN CONFORT - LLLL CITY TALKS -----------
1002 LA LUZ - CAMUÑAS RIDES --------------------
1003 CRUASANES - ACINAS URGEL ------------------
1004 PAULA LLOVERAS - DISSAPEARANCE ------------
1005 MEAT 110-120 - FRESH CUTS TOMOTO ----------
1006 EL INTRUSO - CONVERSACIONES USERA 2016 ----
1007 JUNGLE - DAFNA STARETZ - BERGEN -----------
1008 EXTENDED EGOS / FEIJOO --------------------
1009 JAVIER PÉREZ ARANDA / ESPACIO VACÍO -------
1010 SUBTRACTION  - ANTO LLOVERAS  SERBIA ------