Mostrando entradas con la etiqueta LKV. Mostrar todas las entradas
Mostrando entradas con la etiqueta LKV. Mostrar todas las entradas

FROZEN HEAT__________________ONLINE EXHIBITION SERIES____________SATELLITES::::::::::::2014---2015____SPAIN FRANCE UK CROATIA MEXICO NORWAY

The FROZEN HEAT idea is to generate 10 online art shows in the coming two years (2014-2015). The shows will be launched from NORWAY, including norwegian, spanish, croatian, french and mexican artists. The series work as a constellation of exhibitions, independent yet relational. Each show is build with 10 artworks.




FUNDAMENTS 

The online art shows are part of a complex and unstable process art show that involves more than 100 artists. During three years LAPIEZA was a hybrid between an arist-run-space and an art gallery. LAPIEZA ART SERIES has presented 58 exhibitions so far, with 750 numbered artworks. The structure builds itself with a progressive methodology, directed by Anto Lloveras, permanent curator of the series, and Paula LLoveras, partner now in scandinavia (as part of the LLLL art agency). The series will expand their base in 2014 to Norway, Croatia and France, where there will be local associate artists. We are already making contacts to build up the international art shows.

GOALS

There is a vision and need to enforce the culture-capital in the highly commercialized post-structural capitalist environment. The generation of bridges of new communication among artists around the world. The permanent exhibition in the internet of a complex and unstable art installation. The generation of an artistic form based on the real social networks of today. The intensification of the art scene online, where most of the people spend their time. The use of all media to enlarge the idea of the installation as social sculpture. The vector of all the series is the concept we work on : ACTIVE SOCIOPLASTICS. A new form and speed in the exhibition and publication of the artworks. The idea is to build a solid body of work for each artist in the series, while we are building the collective installation. Both form and frame mixed together to generate the evolution concept. These ideas are to be seen already online.

FORM

The series want to reach new audiences for art, using the social media as youth is now using as daily entertainment, placing art nutrients in the daily ration of consumed time online. The series are online-based. The idea is to evolute physical-shows to virtual shows, that can be seen faster and wider. The tools are always evolving and all data is transferred to the emerging databases. Each series present 10 artworks, the work of 10 artists. Every artwork is told in a text, in pictures and video. The artworks are numbered and the series have an evocative name to be remembered as part of the process. We combine artworks as a conceptual curatorial process. The reach of the project is international, distributing the focus of publishing in 5 nodes in the coming two years. The series were launched in Madrid, and have been very active in Mexico City in 2013. The idea is to generate new nodes in France, Croatia and Norway in 2014 and 2015.

FROZEN HEAT – ART SATELLITES - NORWAY
ONLINE RELATIONAL CONTEMPORARY ART EXHIBITIONS
ANTO LLOVERAS | PAULA LLOVERAS | LLLL ART AGENCY
LAPIEZA ART SERIES | TOMOTO FILMS
GMAIL . YOUTUBE . TWITTER . BLOGGER . FACEBOOK : ISSUU





Lecture at LKV Trondheim Norway 
Tuesday October the 22nd, at 11:45 am.





CONVERSATION WITH PER FORMO | LKV TRONDHEIM | 2013



Taking a further step on the works of Frank Stella, Robert Mangold and Sol Lewitt.


LLLL ART AGENCY AT LKV
LECTURE 22ND OF OCTOBER AT 11:45 AM AT LKV
The meeting >
We had a couple of hours of great conversation with Per Formo, Artist. Current Director of LKV, an Artist Run Space with the support of the Trondheim Kommune. Per Formo is nowadays playing a triple rol as Artist, Art Curator and Culture Manager.

1 / As Artist Per Formo deals with geometry and colour, taking a further step on the works of Frank Stella, Robert Mangold and Sol Lewitt.
2 / As Curator he has recently launched a collective show at the Babel Gallery. The show is a curatorial work wih six artists that build a storytelling about the area in which the gallery sits on.
3 / As Manager Per talks to different agents in town, bureaucrats, museum directors, musicians, writers and community centers to build a healthy Art Scene as Cultural Hub in the city of Trondheim.

Background >
We got to know LKV in 2008 through the Canadian Artist Heather Passmore who was a resident back then. Last year we visited the house with Markus Lantto, a swedish Artist and Art Critic, at that time he was busy with some wood pieces and selfmade instruments. Now he has a show in town that we will visit very soon.

News >
Per Formo has invited us to lecture at LKV Tuesday October the 22nd, at 11:45 am. 
We will explain the methodology of LAPIEZA ART SERIES, 
the FROZEN HEAT NEW SATTELITE SERIES 
and the LLLL ART AGENCY IDEAS

These conversation is part of the STRUCTURAL BASIS of FROZEN HEAT,
ONLINE ARTSHOWS (2014-2015) upcoming art series curated by LLLL
as satellites of LAPIEZA ART SERIES.


RELATED VITAMINS (I/-)

1. Conceptual artists are mystics rather than rationalists. They leap to conclusions that logic cannot reach.
2. Rational judgements repeat rational judgements.
3. Irrational judgements lead to new experience.
4. Formal art is essentially rational.
5. Irrational thoughts should be followed absolutely and logically.
Sol Lewitt / Sentences on conceptual art
art-language, (new york), vol. 1, n° 1, may 1969

https://www.facebook.com/pages/Sol-LeWitt/109249689094662?rf=106185536080148
https://www.facebook.com/pages/Robert-Mangold/426191867477787?rf=112053925477170
https://www.facebook.com/pages/Frank-Stella/104045012965285?rf=108739372483380
http://www.performo.no/
http://www.lkv.no/faglig-aktivitet-prosjekt.htm
http://www.heatherpassmore.com/

Anto Lloveras Lapieza Relational Art Series Lademoen Kunstnerverksteder Markus Lantto Heather PassmoreBabel visningsrom for kunst
 — en Trondheim, Sor-Trondelag, Norway con Lapieza Relational Art Series y Anto Lloveras.

CONVERSATION WITH TORHILD AUKAN | LKV 2013


outdoor living has shaped her relationship with life and art


WHERE
We visit her in her atelier at LKV, where we lectured some days ago. It feels like coming home, to a large warm building full of artists at work. We arrive and get a cup of warm tea, it is a rainy day, we crossed the city walking with our umbrellas. Now we sit in the room Torhild uses as office.

PHILOSOPHICAL STATMENT
What Torhild explained as first statement is her sensual way of experiencing nature, the surroundings. The idea of being part of nature. The body as research, the existence as an investigation field, and the art as a tool of expression. The philosophy behind this statement makes us think in certain nordic existentialism, where there is no clear limit between nature and philosophy, a scratch into spinozian pantheism. We watch a film she did some 20 years ago, and we get the idea. Black and white elements of nature, and the presence of the body, the body of him, and her own. The film is short and shows the statement. A poem.

ORIGIN
Torhild spent many years living outdoors. Outdoors meaning out in the nature, in the forest, where she lived in a cabin, before having her kids, and with her kids. That outdoor living, has shaped her relationship with life and art. Most of her works are recognizable because of the repetitive pattern she has taken for the representation of the idea. The so called technique or method.

METHOD
Photography is a starting point of most of her works, the look, the idea, the capture of time. Then that capture is transformed in the dark room, a room of silence. The work takes the size of the wood plates she has used as canvas. Norwegian wood. The use of pigments, chemicals and light exposure makes the image appear on the wood. The cyanotype is always blue, a blue close to the Klein Blue, adding the faded image of the photographed body coming out, and the graphic pattern of the wood.

NOW
The body fading is now her own, we see the evolution of the idea, from the small scale with many images, to large size, with a single one. Torhild has recently travelled to China as resident to produce works, and is making evolutions on her concept, making it clearer and sharper.This conversation is part of the STRUCTURAL BASIS of FROZEN HEAT, 
ONLINE ARTSHOWS (2014-2015) upcoming art series curated by LLLL
as satellites of LAPIEZA ART SERIES.

http://www.lkv.no/k-torhild-aukan.htm
http://utdanning.no/tema/yrkesintervju/kunstner
http://www.trondheimkunsthall.com/Sitter-bleken-aukan/
http://www.stolav.no/kunst/galleri-kart-gastro-aukan.htm


RELATED VITAMIN 025 (I/-)

El nombre de Brakhage se ha convertido prácticamente en sinónimo de cine experimental, y aunque la larga lista de sus innovaciones -que incluye un montaje vertiginoso, casi cegador, y la manipulación de la película con pintura, collage, incisiones o raspaduras- explique en gran medida esta reputación, es la densidad intelectual y el carácter no-narrativo de su cine, casi abstruso, lo que en muchos sentidos ha caracterizado al cine experimental de vanguardia, no tanto para el especialista como pára el público que se atreve a adentrarse en las peligrosas aguas del cine no comercial. No obstante, a pesar de lo variado de sus atribuciones, Brakhage es definitivamente un pintor. Comenzó pintando el celuloide en 1961, en la segunda parte de Dog Star Man, que trata el nacimiento de su segundo hijo, y en Thigh Line Lyre Triangular, también de 1961, que incluye el nacimiento de su tercer hijo. Lo que le motivaba era presentar o replicar lo que él llamaba "visión hipnagógica". El diccionario define hipnagógico como "relacionado o asociado con el estado que precede al sueño", pero Brakhage lo describe como lo que vemos al cerrar los ojos. En una conversación de 2000 con Bruce Kawin, compañero suyo en la Universidad de Colorado en Boulder, señala lo siguiente: El espectador puede cerrar los ojos y no mirar la película, y, aun así, al mismo tiempo seguir viéndola en su cabeza. Se llama visión hipnagógica. Cuando cerramos los ojos, todos nosotros poseemos un de la luz". Sus imágenes son translúcidas, aunque a veces se difuminan y parecen los titilantes luminosos de las calles. En muchos de sus escritos y entrevistas, el director afirma que sus filmes tratan sobre "la luz". Autores que han escrito sobre Brakhage apuntan que cuando habla de la luz se refiere a los objetos en sus películas y subraya que lo que es importante no es el objeto en sí, sino la luz que refleja.

Stan Brakhage es un pintor. 
Suscribirse a: Entradas (Atom)