FROZEN HEAT__________________ONLINE EXHIBITION SERIES____________SATELLITES::::::::::::2014---2015____SPAIN FRANCE UK CROATIA MEXICO NORWAY

The FROZEN HEAT idea is to generate 10 online art shows in the coming two years (2014-2015). The shows will be launched from NORWAY, including norwegian, spanish, croatian, french and mexican artists. The series work as a constellation of exhibitions, independent yet relational. Each show is build with 10 artworks.

FUNDAMENTS 

The online art shows are part of a complex and unstable process art show that involves more than 100 artists. During three years LAPIEZA was a hybrid between an arist-run-space and an art gallery. LAPIEZA ART SERIES has presented 58 exhibitions so far, with 750 numbered artworks. The structure builds itself with a progressive methodology, directed by Anto Lloveras, permanent curator of the series, and Paula LLoveras, partner now in scandinavia (as part of the LLLL art agency). The series will expand their base in 2014 to Norway, Croatia and France, where there will be local associate artists. We are already making contacts to build up the international art shows.

GOALS

There is a vision and need to enforce the culture-capital in the highly commercialized post-structural capitalist environment. The generation of bridges of new communication among artists around the world. The permanent exhibition in the internet of a complex and unstable art installation. The generation of an artistic form based on the real social networks of today. The intensification of the art scene online, where most of the people spend their time. The use of all media to enlarge the idea of the installation as social sculpture. The vector of all the series is the concept we work on : ACTIVE SOCIOPLASTICS. A new form and speed in the exhibition and publication of the artworks. The idea is to build a solid body of work for each artist in the series, while we are building the collective installation. Both form and frame mixed together to generate the evolution concept. These ideas are to be seen already online.

FORM

The series want to reach new audiences for art, using the social media as youth is now using as daily entertainment, placing art nutrients in the daily ration of consumed time online. The series are online-based. The idea is to evolute physical-shows to virtual shows, that can be seen faster and wider. The tools are always evolving and all data is transferred to the emerging databases. Each series present 10 artworks, the work of 10 artists. Every artwork is told in a text, in pictures and video. The artworks are numbered and the series have an evocative name to be remembered as part of the process. We combine artworks as a conceptual curatorial process. The reach of the project is international, distributing the focus of publishing in 5 nodes in the coming two years. The series were launched in Madrid, and have been very active in Mexico City in 2013. The idea is to generate new nodes in France, Croatia and Norway in 2014 and 2015.

FROZEN HEAT – ART SATELLITES - NORWAY

ONLINE RELATIONAL CONTEMPORARY ART EXHIBITIONS

ANTO LLOVERAS | PAULA LLOVERAS | LLLL ART AGENCY

LAPIEZA ART SERIES | TOMOTO FILMS

GMAIL . YOUTUBE . TWITTER . BLOGGER . FACEBOOK : ISSUU

Lecture at LKV Trondheim Norway 
Tuesday October the 22nd, at 11:45 am.

http://issuu.com/lapieza

http://paulalloveras.blogspot.no/ - paulalloveras@gmail.com

http://antolloveras.blogspot.no/ - antolloveras@gmail.com

http://tomototomoto.blogspot.no/

http://www.lkv.no/babel.htm

MASTERCLASS - REGINA FIZ - ETSAM

REGINA LECTURES AT ETSAM
WITH PABLO BERZAL

Yo en mis piezas suelo hablar más de escenografía que de arquitectura, pero soy plenamente consciente de la relación que hay entre ambas y desde luego en todas mis obras hay una construcción escenográfica, existe una arquitectura de la escenografía, y ahora me doy cuenta que he vinculado a varios arquitectos a mis proyectos. Construyo imaginando que mi cuerpo es un elemento más en ese universo que necesito recrear. En infinidad de ocasiones parto de la pintura, la pintura religiosa, sobre todo del renacimiento; pintores como el Giotto son una fuente de inspiración, cómo relaciona los cuerpos y la arquitectura en sus cuadros, la composición, la mirada, las miradas… Las miradas me llevan a Govanni Bellini, las miradas creando círculos en el espacio. Sí, también existe una arqitectura del deseo que pasa por el cuerpo, la arquitectura del cuerpo, mi cuerpo se piensa y se construye para cada pieza, tal vez existe un circuito invisible que conecta las emociones, los deseos del espectador y los míos, pero no es premeditado, no es una fabricación de apetitos apriorística; no creo que se pueda establecer un vínculo con el “hedonismo de la cantidad” como diría José Antonio Marina a propósito del funcionamiento de la “maquinaria de la satisfacción”, maquinaria pensada para generar necesidades, no para saciar. Yo con mi trabajo quiero saciar, quiero saciarme y saciar al espectador cómplice, ser que se relaciona y coloca su dedo sobre la carne, la mía y la suya, la nuestra, incluso sobre nuestros fluidos… Quiero que crea, que comulgue conmigo, que juntos sigamos contruyendo, levantando la arquitectura de nuestros deseos más ocultos, que son necesidades del espíritu. Los objetos, las formas, el cuerpo como un elemento formal más, son un lenguaje, dan información. El primer elemento escenográfico al que me enfrento siempre es el espacio en el que presento la obra. Adapto siempre el trabajo al lugar donde se muestra. No puedo ocupar el espacio, necesito sentirlo, dialogar con él, que sea un elemento más dentro de la acción escenográfica.

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http://antigonia.com/2011/11/27/r-marcos-mota-entrevista-a-regina-fiz-santos/