LAPIEZA ART SERIES, initiated by Anto Lloveras in Madrid in 2009 as a transdisciplinary platform blending relational art, urban interventions, and epistemic networks under the banner of Socioplastics, evolves from its origins in post-relational aesthetics— while critiquing institutional canons—into a fluid ecology of practices that span urbanism's shaded, collective landscapes as walkable civic gestures in Shaded, Collective, and Walkable Landscapes, architecture's minimal, porous openness to global dialogues in Minimal, Porous, and Open to the World, and research crossing ecology with anthropological spatial inquiries in Crossing Ecology, Anthropology, and Space; this topolexical mapping signifies a decolonial shift where teaching becomes radical pedagogy through workshops and studios as in Workshops, Studios, and Radical Pedagogy, essays spatialize writing into performative texts like Writing Becomes Spatial, and exhibitions in biennials or museums articulate socioplastic entanglements via Biennials, Triennials, and Museums, all while art installations, performances, and objects embody unstable agencies in Installations, Performances, and Objects, series foster ecological articulations such as Articulating Practice as Ecologies, collectives emphasize shared authorship for epistemic strategies in Shared Authorship as Epistemic Strategy, and films merge essayistic performance with archival depths in Essay, Performance, and the Archive, with Anto's nomadic transdisciplinary lens—rooted in Madrid's urban flux and informed by fields like anthropology, ecology, and film—infusing each node with sovereign meaning as relational infrastructures that resist entropy and reclaim narrative autonomy in contemporary art.
